{"title":"Cassettes","description":"","products":[{"product_id":"local-natives-music-from-the-pen-gala-1983-cassette-rsdbf21","title":"Local Natives - Music From The Pen Gala 1983 : CASSETTE (RSDBF21)","description":"","brand":"Analog Record Shop","offers":[{"title":"Default Title","offer_id":41270452224200,"sku":"","price":8.79,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0348\/8505\/products\/418466181061_3A800.jpg?v=1637303414"},{"product_id":"giovannie-the-hired-guns-bad-habits-cassette-rsdbf22","title":"Giovannie \u0026 The Hired Guns - Bad Habits : CASSETTE (RSDBF22)","description":"\u003cp\u003eLimited to 500\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eOriginally released in 2017, Bad Habits is the second studio album from Giovannie and the Hired Guns. Giovannie recently announced they have signed with Warner Music Nashville and will release their anticipated fourth new album Tejano Punk Boyz. Currently, the band’s breakout single “Ramon Ayala” follows up their #1 on the Active Rock Radio Chart by claiming the #1 slot on the Alternative Radio Chart this week, and has 5 weeks at #1 on Billboard’s Rock \u0026amp; Alternative Airplay Chart. This is the first time since 2006 that an artist’s first career-charting radio single reached #1 at both Alternative and Active Rock.\u003c\/span\u003e\u003c\/p\u003e","brand":"Analog Record Shop","offers":[{"title":"Default Title","offer_id":42457230147784,"sku":"","price":10.19,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0348\/8505\/products\/418467119625_3A800.jpg?v=1669274317"},{"product_id":"alanis-morrissette-such-pretty-forks-in-the-road-cassette-rsdbf22","title":"Alanis Morrissette - Such Pretty Forks In The Road : CASSETTE (RSDBF22)","description":"\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eHavoc and Bright Lights marked a rebirth for Alanis Morissette, the first album she recorded as a newlywed mother. Delivered a full eight years later, Such Pretty Forks in the Road is the second act of the story, an album about learning how to find contentment at middle age. Morissette wrestles anxieties, origin stories, addictions, parenthood, and partnership throughout the record, searching for reasons and a diagnosis, achieving a sense of peace with having her sense of calm being disturbed on occasion. Appropriately for an album that's decidedly focused on an inward journey, Such Pretty Forks in the Road simmers, never boils. Hooks force themselves into the center stage on \"Reasons I Drink\" -- the rare tune here that could be called catchy -- but otherwise melody takes a back seat to mood. This doesn't necessarily mean Morissette's words are pushed into the spotlight. Such Pretty Forks in the Road is lacquered in immaculate gloss, a sound that accentuates the interior journey of the songs without quite inviting exploration. A close listen reveals all the troubles rolling around Morissette's mind, but the nice thing about Such Pretty Forks in the Road is how its smooth, placid surface makes the record feel like an album-length guided serenity meditation.\u003c\/span\u003e","brand":"Analog Record Shop","offers":[{"title":"Default Title","offer_id":42457230868680,"sku":"","price":10.19,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0348\/8505\/products\/418467119622_3A800.jpg?v=1669274621"},{"product_id":"my-morning-jacket-mmj-does-xmas-fiasco-style-cassette-rsdbf22","title":"My Morning Jacket - MMJ Does Xmas Fiasco Style : CASSETTE (RSDBF22)","description":"\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eMy Morning Jacket Does Xmas Fiasco Style is a 2000 EP by the rock band My Morning Jacket, containing Christmas songs. Its alternate title is We Wish You a Merry Christmas and a Happy New Year!\u003c\/span\u003e","brand":"Analog Record Shop","offers":[{"title":"Default Title","offer_id":42457233457352,"sku":"","price":10.19,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0348\/8505\/products\/418467119621_3A800.jpg?v=1669274996"},{"product_id":"frank-ocean-blonde-cassette","title":"Frank Ocean - Blond : CASSETTE","description":"\u003cp\u003e\u003cstrong\u003eImport Cassette\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eBoys Don't Cry, the magazine distributed at pop-up locations the day this unlike-titled album was released, featured an essay in which Frank Ocean affably reflected upon his infatuation with cars. Allusions to parallels between vehicular travel and other aspects of life, such as making music, were drawn, his relief in completing the Channel Orange follow-up made apparent. For those who felt the proper debut wasn't forthcoming enough with hooks or traditionally structured songs, this is bound to seem less like a luxurious joyride on a freshly paved motorway than it does an interminable stay in a repair shop waiting lounge. In terms of pop appeal, none of it approaches \"Novacane\" or \"Thinkin Bout You.\" The focus is more on Ocean, the extensive list of \"album contributors\" -- possibly a combination of studio collaborators and mere inspirations -- notwithstanding. He's often accompanied by only keyboards or a guitar or two; less than one-third of the tracks include the sound of his voice and that of a beat within the same space. Over the course of an hour, all the sparsely ornamented ruminations can be a bit of a chore to absorb, no matter how much one hangs on each line. The writing talent on display, however, is irrefutable, whether it's a sharp aside, the precision and economy in the chorus of the Beyoncé-backed \"Pink + White,\" or the agony evoked in \"Self Control\" (with an outro multi-tracked to pull heartstrings). Through references to movement, and events that take place in automobiles and swimming pools, Ocean's words continue to be fueled by his memories of youth and young adulthood in summertime, while recreational pharmaceuticals are a factor more than ever. The lines regarding relationships are acutely descriptive with frequently abrupt transitions from deep to shallow observations. There's a little more playfulness to go along with the wistful heartache, Ocean's perverse sense of humor shows most when he follows his mother's stern anti-drug message with an ebullient vocal-and-organ number that opens with him \"gone off tabs.\" In the closing \"Futura Free,\" one of several cuts where processing distorts his voice the way a fun house mirror deforms a body, there is much weight to him to remarking \"Don't let 'em find Pac\/He evade the press\/He escape the stress,\" then declaring \"I ain't on your schedule.\" He's clearly bemused with the industry and fan entitlement. An undoubtedly reactive work, this is undiluted and progressive nonetheless.\u003cbr\u003e\u003cbr\u003e1 Nikes 5:14\u003cbr\u003e2 Ivy 4:09\u003cbr\u003e3 Pink + White 3:04\u003cbr\u003e4 Be Yourself 1:26\u003cbr\u003e5 Solo 4:17\u003cbr\u003e6 Skyline To 3:04\u003cbr\u003e7 Self Control 4:09\u003cbr\u003e8 Good Guy 1:06\u003cbr\u003e9 Nights 5:07\u003cbr\u003e10 Solo (Reprise) 1:18\u003cbr\u003e11 Pretty Sweet 2:38\u003cbr\u003e12 Facebook Story 1:08\u003cbr\u003e13 Close to You 1:25\u003cbr\u003e14 White Ferrari 4:08\u003cbr\u003e15 Seigfried 5:34\u003cbr\u003e16 Godspeed 2:57\u003cbr\u003e17 Futura Free 9:24\u003c\/p\u003e","brand":"Analog Record Shop","offers":[{"title":"Default Title","offer_id":42875575599304,"sku":"","price":15.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0348\/8505\/files\/20250222-184951_dbddb345-87dd-4bf4-befb-ac8f7ddbc3e7.jpg?v=1763495962"},{"product_id":"frank-ocean-channel-orange-cassette","title":"Frank Ocean - Channel Orange : CASSETTE","description":"\u003cp\u003e\u003cstrong\u003eImport Cassette\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eDef Jam's contracted edition of Frank Ocean's Nostalgia, Ultra never materialized. The label nonetheless released two of the mixtape's songs as singles. One of them, \"Novacane,\" clashed with everything else on the radio, reached the Top 20 of Billboard's Hot R\u0026amp;B\/Hip-Hop chart, and crossed into the Hot 100. The singer's presence spread with appearances on Goblin, 4, Watch the Throne, and The OF Tape, Vol. 2. He then completed this album with Malay, Om'Mas Keith, and Pharrell as his co-producers. Journalists present at June pre-release listening events speculated that some of the lyrics revealed Ocean's bisexuality. Ocean subsequently published a screen shot of a document, dated December 27, 2011, that included details of a crushing romantic relationship with a male. Ocean also revealed that he wrote for the sake of his sanity and credited his inner circle: \"I'm sure these people kept me alive, kept me safe.\" One listen to Channel Orange makes it obvious that he is as free as an artist as he is as a man. The album doesn't have as many slyly powerful hooks as Nostalgia, Ultra, but Ocean's descriptive and subtle storytelling is taken to a higher level. He's up there with Bilal. As easy as it is to listen to Ocean's voice in long stretches -- he's casually expressive -- the number of deep ruminations over slow tempos requires some patience. Even the lone song that could be termed a banger is a ten-minute suite that takes 90 seconds to get on the floor; the song with the widest and most creative scope as well, \"Pyramid\" shifts from \"my black Queen Cleopatra\" and ancient Egypt (over swift synth funk) to \"Your love ain't free no more\" and a strip club (over booming, low-profile slickness). The lighter moments, such as the loose and bright \"Sweet Life\" and the relatively exuberant \"Monks,\" both of which would be standouts on any N.E.R.D. album, offer more than bright coating, dealing in surrealism and sharp observations that are equally penetrating. On the other end, the most personal song is \"Bad Religion,\" a phenomenal brokenhearted ballad consisting of organ, piano, strings, and handclaps: \"This unrequited love\/To me it's nothing but a one-man cult\/And cyanide in my Styrofoam cup.\" Everything that falls between, counting the rumbling drug dependency tale \"Crack Rock,\" the snapping\/swooning \"Pilot Jones,\" and the longing falsetto shuffle \"Thinkin Bout You,\" is vivid and worthy of complete immersion.\u003cbr\u003e\u003cbr\u003e1 Start 0:46\u003cbr\u003e2 Thinkin Bout You 3:21\u003cbr\u003e3 Fertilizer 0:40\u003cbr\u003e4 Sierra Leone 2:29\u003cbr\u003e5 Sweet Life 4:23\u003cbr\u003e6 Not Just Money 1:00\u003cbr\u003e7 Super Rich Kids 5:05\u003cbr\u003e feat. Earl Sweatshirt\u003cbr\u003e8 Pilot Jones 3:05\u003cbr\u003e9 Crack Rock 3:44\u003cbr\u003e10 Pyramids 9:54\u003cbr\u003e11 Lost 3:54\u003cbr\u003e12 White 1:16\u003cbr\u003e feat. John Mayer\u003cbr\u003e13 Monks 3:21\u003cbr\u003e14 Bad Religion 2:55\u003cbr\u003e15 Pink Matter 4:29\u003cbr\u003e feat. André 3000\u003cbr\u003e16 Forrest Gump 3:15\u003cbr\u003e17 End 2:14\u003c\/p\u003e","brand":"Analog Record Shop","offers":[{"title":"Default Title","offer_id":42875576484040,"sku":"","price":15.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0348\/8505\/files\/20250222-184918.jpg?v=1763495898"},{"product_id":"frank-ocean-nostalgia-ultra-cassette","title":"Frank Ocean - Nostalgia, Ultra : CASSETTE","description":"\u003cp\u003e\u003cstrong\u003eImport Cassette\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eFrank Ocean co-wrote songs for John Legend (\"Quickly\") and Brandy (\"1st \u0026amp; Love\"), signed to Def Jam, and connected with rap group Odd Future, but his career as a solo artist did not gain traction until he linked to an upload of this, his first mixtape, on his Tumblr blog in early 2011. Compared to most releases of its kind, Nostalgia, Ultra is plotted with care, not slapped together with haste. It shifts between original material -- produced by Christopher \"Tricky\" Stewart, MIDI Mafia, Happy Perez, and James Fauntleroy II -- and anti-pigeonhole re-voicings of songs by Coldplay, Mr. Hudson, Eagles, and MGMT. Ocean also weaves clever threads, like mentioning Stanley Kubrick one moment and sampling dialogue from the director's Eyes Wide Shut during another. Ocean's uniqueness doesn't lie in the productions he uses -- they're neither exceptional nor particularly left of center here -- or his range of inspirations and references. It's all in his wistful, often self-effacing perspective and numbed, restrained delivery, heard at full power in \"Songs for Women,\" where he tries to arrange an after-school rendezvous in his dad's empty house and brags about \"harmonizing to Otis, Isley, Marvin\" but eventually laments that his woman doesn't listen to him or his music. Much of the material indeed carries a longing for the past -- strange since Ocean is still in his early twenties. When he's not looking back, he's still living in his head. \"Swim Good,\" a grim escape fantasy, has the singer driving his car to the shore, his trunk \"bleeding\" with \"broken hearts\": \"I woulda put tints on my windows, but what's the difference?\/I feel like a ghost, no Swayze, ever since I lost my baby.\" \"Nature Feels\" is a Garden of Eden fantasy over the swirling neo-disco of MGMT's \"Electric Feel.\" And then there's \"Novacane,\" a dreamlike midtempo tale filled with drugs, conquests, and anxiety. Oddly (or fittingly) enough, it's one of the most realistic, down-to-earth songs on the set.\u003cbr\u003e1 Street Fighter 0:22\u003cbr\u003e2 Strawberry Swing 3:55\u003cbr\u003e3 Novacane 5:03\u003cbr\u003e4 We All Try 2:52\u003cbr\u003e5 Bitches Talkin' 0:22\u003cbr\u003e6 Songs for Women 4:13\u003cbr\u003e7 LoveCrimes 4:00\u003cbr\u003e8 Goldeneye 0:18\u003cbr\u003e9 There Will Be Tears 3:15\u003cbr\u003e10 Swim Good 4:17\u003cbr\u003e11 Dust 2:34\u003cbr\u003e12 American Wedding 7:01\u003cbr\u003e feat. James Fauntleroy\u003cbr\u003e13 Soul Calibur 0:18\u003cbr\u003e14 Nature Feels 3:44\u003c\/p\u003e","brand":"Analog Record Shop","offers":[{"title":"Default Title","offer_id":42875578417352,"sku":"","price":15.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0348\/8505\/files\/20250222-185337_b6d1886b-6357-4835-ac64-9db4e146ca48.jpg?v=1763495726"},{"product_id":"frank-ocean-endless-cassette","title":"Frank Ocean - Endless : CASSETTE","description":"\u003cp\u003e\u003cstrong\u003eImport Cassette\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eDuring the four years that passed between album-length recordings from Frank Ocean, the Grammy-winning singer and songwriter surfaced on releases by Beyoncé, Kanye West, and James Blake. Through the processing of reports and speculation throughout the time, and knowing Ocean's unease with the pop machine, the follow-up to Channel Orange appeared to be imminent, or maybe mythical, or somewhere within the two poles. On the first day of August 2016, The New York Times published \"Frank Ocean's Long-Awaited 'Boys Don't Cry' Is Due on Friday,\" yet the article's opening sentence was less certain, stating that the wait \"may nearly be over.\" Nothing was clear. Later in the month, within the space of two days, Ocean released a pair of recordings, neither of which was titled Boys Don't Cry. This was the first and inferior one, the prelude to the proper Channel Orange follow-up. Termed a visual album, upon its release it could be heard only as one 46-minute piece accompanied by black-and-white imagery of Ocean, or a team of Oceans, constructing a staircase in a warehouse. The sound is introduced and concluded with sections of Wolfgang Tillmans' \"Device Control,\" a composition that obscures the distinction between sound art and dance track. Its lucidity, crispness, and energy are at odds with the murky, slightly submerged-sounding suite of predominantly fresh material. The Ocean sequence begins like a This Mortal Coil-gone-quiet-storm project, with a fragile and spectral cover of the Isley Brothers' \"(At Your Best) You Are Love\" held aloft by strings orchestrated by Jonny Greenwood and piano and synthesizer by Om'Mas Keith and Blake. From there, the set is fragmentary -- the original tracks average two minutes in length and tend to melt into one another. It all snakes along, albeit slowly, akin to a fogged-out lazy river ride with an adjacent big screen projecting a flickering series of memories that veer from ballerific to frantic-romantic. Ocean, whose voice is joined most frequently by a (still underutilized) Jazmine Sullivan, alternates between offhanded raps and singing that ranges from plainly observational to almost exorcistic. The tender everyday stuff, like when Ocean consoles his lover after a lost game of basketball, tends to be as affecting as the comparatively intense moments. This offers more of the detailed scenes only Ocean can script, as well as some stray sly quotables. Ultimately, it's a smartly ordered patchwork of mostly secondary material.\u003cbr\u003eA1 At Your Best (You Are Love)\u003cbr\u003eA2 Alabama\u003cbr\u003eA3 Mine\u003cbr\u003eA4 Unity\u003cbr\u003eA5 A Certain Way\u003cbr\u003eA6 Comme des garçons\u003cbr\u003eA7 Xenons\u003cbr\u003eA8 Honeybaby\u003cbr\u003eA9 Wither\u003cbr\u003eA10 Hublots\u003cbr\u003eA11 In Here Somewhere\u003cbr\u003ePart 2\u003cbr\u003eC1 Slide on Me\u003cbr\u003eC2 Sideways\u003cbr\u003eC3 Florida\u003cbr\u003eC4 Impietas \/ Deathwish (ASR)\u003cbr\u003eC5 Rushes\u003cbr\u003eC6 Rushes To\u003cbr\u003eC7 Higgs\u003cbr\u003eC8 Mitsubishi Sony\u003c\/p\u003e","brand":"Analog Record Shop","offers":[{"title":"Default Title","offer_id":42875578613960,"sku":"","price":15.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0348\/8505\/files\/c0030405__13944.1688696203.jpg?v=1763496074"},{"product_id":"m-f-doom-mm-food-cassette","title":"MF DOOM - MM..Food : CASSETTE","description":"\u003cp\u003e\u003cstrong\u003eImport Cassette\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eYou could call the proper follow-up to 1999's heralded Operation: Doomsday highly anticipated if it weren't for the wealth of side projects, pseudonyms, bootlegs, and mixtapes MF Doom unleashed afterward. Still, every bit of Doom output has the underground's tongue wagging, and as usual, the metal-fingered villain doesn't disappoint. Part of the reason for this is that Mm..Food is unconcerned with the hype and doesn't try too hard. It's actually one of Doom's least ambitious releases and a lot more fun than his previous ones, especially anything released under his dark Viktor Vaughn moniker. Food references and a ton of samples and scratches from old Fantastic Four read-along records keep the album light as Doom takes tired hip-hop topics like \"keeping your hoes in check\" and turncoat friends and screws with them. Backstabbers get their due on the Whodini-sampling \"Deep Fried Frenz\" while guest Mr. Fantastik gives fakes a proper whooping on the excellent \"Rapp Snitch Knishes.\" Doom's behind every beat here, whipping up a busy brew of screw-loose samples and late-'90s beats. The mostly instrumental middle of the album is a fantastic, playful ride and more fresh evidence the man is never swayed by fads. Fans looking for his next big statement might be let down at first listen, but Mm..Food is as vital as anything he's done before and entirely untouched or stymied by the hype.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eAppetizers\u003cbr\u003e1 Beef Rapp 4:40\u003cbr\u003e2 Hoe Cakes 3:52\u003cbr\u003e3 Potholderz 3:24\u003cbr\u003e     feat. Count Bass D\u003cbr\u003e4 One Beer 4:18\u003cbr\u003e5 Deep Fried Frenz 4:59\u003cbr\u003e     Special Recipes\u003cbr\u003e6 Poo-Putt Platter 1:25\u003cbr\u003e7 Fillet-O-Rapper 1:03\u003cbr\u003e8 Gumbo 0:50\u003cbr\u003e9 Fig Leaf Bi-Carbonate 3:19\u003cbr\u003eEntrees\u003cbr\u003e10 Kon Karne 2:51\u003cbr\u003e11 Guinnesses 4:42\u003cbr\u003e     feat. Angelika \u0026amp; 4ize\u003cbr\u003e12 Kon Queso 4:00\u003cbr\u003e13 Rapp Snitch Knishes 2:53\u003cbr\u003e     feat. Mr. Fantastik\u003cbr\u003e14 Vomitspit 2:48\u003cbr\u003e15 Kookies 4:10\u003c\/p\u003e","brand":"Analog Record Shop","offers":[{"title":"Default Title","offer_id":42875580842184,"sku":"","price":15.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0348\/8505\/files\/MzItNzI3NC5qcGVn.jpg?v=1693342927"},{"product_id":"tyler-the-creator-bastard-cassette","title":"Tyler, The Creator - Bastard : CASSETTE","description":"\u003cp\u003e\u003cstrong\u003eImport Cassette\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eBastard 6:09\u003cbr\u003eSeven 3:29\u003cbr\u003eOdd Toddlers 3:36\u003cbr\u003eFrench! 4:03\u003cbr\u003eBlow 2:55\u003cbr\u003ePigs Fly 3:35\u003cbr\u003eParade 2:23\u003cbr\u003eSlow It Down 3:08\u003cbr\u003eAssMilk 3:40\u003cbr\u003eVCR\/Wheels 3:28\u003cbr\u003eSession 3:29\u003cbr\u003eSarah 4:46\u003cbr\u003eJack And The Beanstalk 3:51\u003cbr\u003eTina 3:07\u003cbr\u003eInglorious 4:04\u003c\/p\u003e","brand":"Analog Record Shop","offers":[{"title":"Default Title","offer_id":42875582742728,"sku":"","price":15.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0348\/8505\/files\/c0030728__22236.1691729827.jpg?v=1693343030"},{"product_id":"tyler-the-creator-wolf-cassette","title":"Tyler, The Creator - Wolf : CASSETTE","description":"\u003cp\u003e\u003cstrong\u003eImport Cassette\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eBeginning with a serene and grand intro\/title track that's slowly F-bombed into oblivion -- and that's both F-bombs, the one that rhymes with \"duck,\" and the one that rhymes with \"stag\" -- Tyler, The Creator's third solo effort Wolf is a frustrating jumble. On one hand, there are the old and now crusty elements where blogs get skewered, professional music review sites get called out by name, and that homophobic slur is dropped with abandon, something made all the more perplexing when Frank Ocean (\"out\" and Odd Future\/Tyler-associated singer) takes time out from his rise to the top to sing with an old friend. Of course, the N-bomb also flies out the door like it was put on clearance, and while Tyler's great feedback loop (he offers a freak out; people freak out; he freaks out about people freaking out, etc.) doesn't reach its Zen breakthrough on Wolf (it's arguably spiraling downward), this album comes from one reinvigorated provocateur as his vocal delivery is sharp and his punch lines punchier. Then, there's the pre-release talk from the man himself, giving the throwback album an out by declaring it not the end of the Bastard, Goblin trilogy and also not a lyrics album but a production showcase, that latter bit being a return to when Tyler was the wild underground hip-hop crew's behind-the-boards-guy as much as their leader. The two worlds collide on the suite that goes \"Partyisntover\/Campfire\/Bimmer\" as parties, cabins, cars, and other teenage hangouts turn into goth hang-ups (draggy synths lie underneath \"We could try to dance, but I ain't got no rhythm\"), but what's new and \"now\" is that guest Ocean sounds like the Grammy-man he's become, and an appearance from former Stereolab singer Laetitia Sadier just wasn't possible in those early uploading days. \"IFHY\" is another throwback as an emo kid evolves into a serial killer during the course of a love letter, and yet superstar Pharrell is on the cut, million-dollar crooning over some drippy production that came from Tyler's stickered-up laptop. Later, there's majestic songstress Erykah Badu on the near novelty number \"Treehome95\" (neo-soul meets Jellystone Park where all pillow talk numbers will be sung by Boo-Boo Bear) while Odd Future crew members Domo Genesis and Earl Sweatshirt land on a number that's Tyler circa 2013, with \"Mollys\" and whatnot updating their lingo as the music grows into something well-funded and filled with twangy guitars from Tarantinoland. Hearing the old days with major-label money wouldn't be enough, so smart production tricks (\"Jamba\" is a jittery, cut-up joy and \"Awkward\" sounds like a teen nightmare on sizzurp), wacky lyrics that grab (\"He hates women, but loves kittens\" or \"Sick and getting bigger like I sneezed on Adele\"), and some rock-solid highlights (\"Domo23\" is an electro karate chop, \"Trashwang\" is the posse cut on a good trip, while \"Cowboy\" is an irresistible, sizzurpy singalong) help carry this one. It's a fun album for fanatics, but the willingness to shock feels too comfortable at this point, so those who found it tiresome before will likely find it devastating here.\u003cbr\u003e\u003cbr\u003eWolf 1:50\u003cbr\u003eJamba 3:32\u003cbr\u003eCowboy 3:15\u003cbr\u003eAwkward 3:47\u003cbr\u003eDomo23 2:41\u003cbr\u003eAnswer 3:50\u003cbr\u003eSlater 3:53\u003cbr\u003e48 4:07\u003cbr\u003eColossus 3:33\u003cbr\u003ePartyIsntOver\/Campfire\/Bimmer 7:18\u003cbr\u003eIFHY 5:19\u003cbr\u003ePigs 4:14\u003cbr\u003eParking Lot 3:53\u003cbr\u003eRusty 5:09\u003cbr\u003eTrashwang 4:42\u003cbr\u003eTreehome95 3:00\u003cbr\u003eTamale 2:46\u003cbr\u003eLone 3:57\u003c\/p\u003e","brand":"Analog Record Shop","offers":[{"title":"Default Title","offer_id":42875583824072,"sku":"","price":15.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0348\/8505\/files\/c0030408__43856.1688696200_9c3687b1-3995-4f37-a4ad-b8d984dfcfcd.jpg?v=1763496392"},{"product_id":"tyler-the-creator-goblin-cassette","title":"Tyler, The Creator - Goblin : CASSETTE","description":"\u003cp\u003e\u003cstrong\u003eIMPORT CASSETTE\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eReleased by the XL label in a one-album deal, Goblin is the first widely accessible release from the Odd Future crew, an outlandish alternative hip-hop consortium that was the epitome of underground hip in 2011. With social networking, video sharing, and mixtapes as their tools, Odd Future's wild mix of skateboarding culture and scatological rhymes struck a chord with the right-click-and-save crowd, who will be relieved to know that the crew’s leader delivered his aboveground debut without any sign of outside influence. Parents and defenders of good taste should be just as horrified because “God damn I love bitches\/Especially when they just suck dick and do dishes” (“Transylvania”) is the way Tyler, the Creator rolls, coming incorrectly in a ski mask, irresponsibly rapping about rape, and with suicidal tendencies: the mindset, not the band. It’s just as ugly as it sounds, and when Tyler tells listeners “this ain’t horrorcore,” it’s followed by an even more ridiculous claim that you can “dig deeper” for proof, but then comes a brilliant line like “She’s the one I’m thinking of when I am beating Richard up” (“Her”), or an incredibly infectious zombie anthem (“Sandwitches”), and suddenly, this Grand Guignol called Goblin lives up to the hype. Just like on his debut mixtape, Bastard, the rapper’s fictional therapist helps tie the tracks together for a decent overall flow, and Tyler’s production is as attractive as ever, contrasting his disgusting rhymes and gruff voice with subdued, sometimes serene beats that echo and creep. While the album is a revolutionary object in that such fantastic filth was born and flourished outside the corporate -- and even indie -- music industry, production is about the only thing to be objective about, as everything else is polarizing and preaching to the converted. Odd Future? 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From Lil B to Shabazz Palaces, it was a great time to right click, but the 2012 season often involved entering credit card information -- not just to some file-hosting service but to an old-school record label, which in the case of the game-changing The Money Store, is shockingly the Sony-owned Epic. That this restless blast of paranoid avant-rap was released by an imprint that was also committed to signing the winner of the X-Factor recalls a time when you could follow Throbbing Gristle releases all the way up to Warner Bros, but none of this would matter if the music wasn't amazing itself, and it is. Here, the opening “Get Got” combines glitch, African rhythms, and a swirling keyboard riff right out of dream pop, all while MC Stefan Burnett offers hood incantations that fall somewhere between Gang Starr's Guru and Can's Malcolm Mooney. Remarkably, rock-solid hooks reveal themselves after repeated listens as the true stomper “The Fever (Aye Aye)” hides its Run-DMC love under a Nine Inch Nails-like blast, and while the lean, winding snake called “I've Seen the Footage” is all No Wave, severe compression, and conspiracy theories up front, it's really just a tambourine shake away from becoming a possible Outkast track. Burnett would rather follow the music than front it, sensibly acting as one-third of the group when most MCs would choose to be either a focal point or an accessory in these surroundings. The dense bed of edgy grind that he's working with is crafted by producers Andy Morin and Zach Hill (the latter being the man taking the genre-free attitude of Zorn and Laswell into the age of mixtapes), and it isn't without mercy or melody, even though it is, decidedly, an onslaught. All these elements are glued together by a Bad Brains-sized sense of purpose, which makes Death Grips sound alive and hungry in spite of their name, and while it is interesting that this dark ball of hip-hop anti-matter was released by a major, what sticks is the music. 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Word about the guitar-favoring instrumentalist quickly spread. Before he turned 21, Lacy had a hand in Top Ten pop LPs by J. Cole, Tyler, The Creator, Kendrick Lamar, Mac Miller, Solange, and Vampire Weekend, in addition to well-spent studio time clocked with fellow progressive artists including Kali Uchis, Blood Orange, and Ravyn Lenae. Lacy juggled this and more while participating in all manner of Internet (and related) projects, and in 2015 started releasing solo work. This included the \"song series\" Steve Lacy's Demo, six tracks recorded primarily with phone applications. Apollo XXI, his first album, is a little more refined, advancing his lazing, heartfelt mix of soul and funk with minimal varnish and no evident fuss. The rhythms have a rudimentary, still-demo-like charm, ranging from a functional plod to a hyperactive twitch. Lacy's thin but ringing vocals, often in mid-wattage falsetto, are finely matched with his pleasingly reedy guitar tone, suggesting a lovestruck stupor and other vaguely altered states. At times, he resembles the younger brother of Miguel or the introspective nephew of Van Hunt and Pharrell Williams (in N.E.R.D. fatigues). His voice is his own, brave enough to front-load his debut LP with a two-part, nine-minute number in which he writes about his gender-blindness and frets about being accepted by friends, family, and himself. That song's weight is immediately counterbalanced with the Jesse Boykins III collaboration \"Playground,\" snappy and flirtatious funk drenched in echo, and a couple wham-bam dalliances that include the Dirty Mind-like \"Guide.\" What follows largely sways and swoons, with Lacy's love takeovers and hangovers related in straightforward and sometimes silly terms. The chest-puffing finale verges on disposable, but it concludes by sliding into an extension of the redemptive \"Exit Scott,\" one of Lacy's contributions to Solange's When I Get Home.\u003cbr\u003e\u003cbr\u003eOnly If 1:40\u003cbr\u003eLike Me 9:04\u003cbr\u003ePlayground 3:33\u003cbr\u003eBasement Jack 1:49\u003cbr\u003eGuide 2:21\u003cbr\u003eLay Me Down 3:03\u003cbr\u003eHate CD 2:40\u003cbr\u003eIn Lust We Trust 2:00\u003cbr\u003eLove 2 Fast 3:43\u003cbr\u003eAmandla's Interlude 3:10\u003cbr\u003eN Side 3:44\u003cbr\u003eOutro Freestyle\/4ever 6:14\u003c\/p\u003e","brand":"Analog Record Shop","offers":[{"title":"Default Title","offer_id":42875603058888,"sku":"","price":15.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0348\/8505\/files\/image_1200x1200_f3aa6e6b-07ef-4a06-a5f9-429e1aaf36c4.jpg?v=1763499053"},{"product_id":"lana-del-rey-aka-lizzy-grant-cassette","title":"Lana Del Rey - AKA Lizzy Grant : CASSETTE","description":"\u003cp\u003e\u003cstrong\u003eImport Cassette\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e1 Kill Kill 3:57\u003cbr\u003e2 Queen of the Gas Station 3:04\u003cbr\u003e3 Oh Say Can You See 3:40\u003cbr\u003e4 Gramma (Blue Ribbon Sparkler Trailer Heaven) 3:55\u003cbr\u003e5 For K, Pt. 2 3:24\u003cbr\u003e6 Jump 2:51\u003cbr\u003e7 Mermaid Motel 3:59\u003cbr\u003e8 Raise Me Up (Mississippi South) 4:22\u003cbr\u003e9 Pawn Shop Blues 3:26\u003cbr\u003e10 Brite Lites 2:58\u003cbr\u003e11 Put Me in a Movie 3:13\u003cbr\u003e12 Smarty 2:49\u003cbr\u003e13 Yayo 5:45\u003c\/p\u003e","brand":"Analog Record Shop","offers":[{"title":"Default Title","offer_id":42875605483720,"sku":"","price":15.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0348\/8505\/files\/tumblr_oh27aaa3iy1ugaesvo1_500.png?v=1693346484"},{"product_id":"tyler-the-creator-cherry-bomb-cassette","title":"Tyler, The Creator - Cherry Bomb : CASSETTE","description":"\u003cp\u003e\u003cstrong\u003eImport Cassette.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eIt's hard not to link Tyler, The Creator's effort Cherry Bomb to Earl Sweatshirt's 2015 LP I Don't Like Shit, since these Odd Future-related albums were released less than a month apart; plus, they were both digitally leaked ahead of their official street date. Earl's leak got the wealth of attention, and being the more lean and purposeful machine, it was deserved, but Tyler's long-playing drop is still a joyful noise, kicking with plenty of kinetic energy and coming on strong with an unforgiving OCD attitude that just won't quit. The most beautiful, and meaningless, manifestation of this attitude is the way the smooth and jazzy \"Find Your Wings\" segues into the drill 'n' bass title track, as muted trumpets, xylophones, crunching guitars, and Atari Teenage Riot-styled compression all fly by like the creepy albums Bastard (2009) and Goblin (2011) never happened. Sillier still, \"The Brown Stains of Darkeese Latifah Pts. 6-12 (Remix)\" pops and locks with some added Ying Yang Twins flavor; then there's the wild experience of Kanye West (\"Richer than white people with black kids\") and Lil Wayne (\"Son you need Jesus\/But I hear he left Sunset, to go on tour with Yeezus\") mixing with Tyler acting as unforgiving as ever (\"Like a HIV victim, nobody F'n with me\"). Lyrically, shock tactics and the rapper's returning paranoia mix with some positive vibes and '60s-flavored pop songs (check \"Okaga, CA\" for proof), and yet, this one could be seen as fractured to a fault. 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Truth be told, Swift already made the leap from country to pop with 2012's Red, a nominally country LP distinguished by three songs co-written and produced by Max Martin and Shellback, a team that returns for twice that number on 1989 (Martin has one additional non-Shellback co-write with Swift). Taylor is rarely without co-writers here: only \"This Love\" belongs to her alone, with the other major collaborators being OneRepublic's Ryan Tedder, fun.'s Jack Antonoff, and Imogen Heap. This busy kitchen is typical of modern pop albums, as is the incessant gleam of 1989's steely productions, every element of which blinds when caught in the sun. Swift claims she patterned the album's sound after the MTV-ready sound of the year 1989, and while some cuts are conceivably anchored in the era of Debbie Gibson and George Michael -- \"Shake It Off\" is giddy on the momentum of its own pom-poms, the bonus track \"New Romantics\" effectively conjures the ghost of 1983 new wave, \"Out of the Woods\" veers into territory previously pioneered by one-video wonder T'Pau (their big hit \"Heart and Soul\" arrived in 1987, two years before Taylor's year zero) -- this is a modern album through and through. The heavy presence of Martin, who wound up producing all the vocals along with half the record, is something of a feint. Swift tailored 1989 after Tedder's patterns, constructing nearly every one of the album's 13 tracks as a glassy, imposing skyscraper that deliberately casts its shadow upon on its predecessor. Considering that this album begins with the fanfare of \"Welcome to New York,\" an anthem for carpetbaggers reaping the spoils of rampant gentrification, that progressive escalation in size is something to behold, even if the towering scale winds up slightly overwhelming. Warmth, which previously was a hallmark of Swift's, has largely been substituted by belligerent ice: 1989 emphasizes its reflective surfaces, the hyperactive rhythm tracks -- dance by definition but rarely danceable in practice (the effervescent \"How You Get the Girl\" is an exception) -- functioning as an aural accent to the surging synthesizers and processed vocals. Underneath the digital clatter lie some sturdy songs because, at her core, Swift is a canny songsmith, but 1989 isn't a record about songs, it's all about sonic style. Taylor telegraphed as much when she called it an \"official pop record,\" and its problems lie in the details, not the big picture. 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Released almost exactly two years after that EP, Texas Moon is spacier and a little moodier, and Bridges' writing this time gets as personal and spiritual as it does in his solo work. \"Doris,\" addressed to Bridges' grandmother from his father's warmhearted perspective, has been in the singer's repertoire for at least seven years. It finally finds a home here as a wafting, star-speckled ballad. The greyscale-hued \"Father Father\" is so penitent and humbled that listening to it seems intrusive. \"Chocolate Hills\" and \"Mariella,\" the romantic numbers, are all about escape and companionship with verses full of thoughtful imagery. The tempo is temporarily increased on \"B-Side,\" where longing and desire flow out of a precise funk groove made for a dimly lit dancefloor. Augmented as usual by Will Van Horn on pedal steel, Khruangbin keep it economical at a stringent level -- sometimes as if they're trying to see how little they can play. The results are nonetheless fulfilling.\u003cbr data-mce-fragment=\"1\"\u003e1 Doris 3:50\u003cbr data-mce-fragment=\"1\"\u003e2 B-Side 4:34\u003cbr data-mce-fragment=\"1\"\u003e3 Chocolate Hills 3:10\u003cbr data-mce-fragment=\"1\"\u003e4 Father Father 5:53\u003cbr data-mce-fragment=\"1\"\u003e5 Mariella 5:10","brand":"Analog Record Shop","offers":[{"title":"Default Title","offer_id":42990534230216,"sku":"","price":9.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0348\/8505\/files\/texas.jpg?v=1699300702"},{"product_id":"mf-doom-operation-doomsday-cassette","title":"MF DOOM - Operation Doomsday : CASSETTE","description":"\u003cp\u003eSimultaneously hailed as an underground classic and cast aside as poorly produced backpack rap, Operation: Doomsday inaugurated the reign of MF Doom in underground rap from the early to mid-2000s. The pretext for the album is very similar to that of Marvel Comics supervillain Dr. Doom; after MF Doom, then known as Zevlove X, had been devastated by the death of his brother and K.M.D. accomplice, DJ Sub-Roc, in the early '90s, Elektra dropped his group and stopped the release of its second album, Black Bastards, due to its political message and, more specifically, its cover art. Doom was left scarred with a lingering pain that didn't manifest until the late '90s as hip-hop's only masked supervillain on Bobbito Garcia's Fondle 'Em Records. Carrying the weight of the past on his shoulders, Doom opens and closes Operation: Doomsday with frank and sincere lyrics. In between, however, many of the villain's rhymes are rather hard and piercing. On his subsequent material, he developed a more steady and refined delivery, but on this debut, Doom was at his rawest and, lyrically, most dexterous. The out-of-left-field edge of Doom's production -- which features '80s soul and smooth jazz mixed with classic drum breaks -- is indeed abstract at times, but his off-kilter rhymes are palatable and absent any pretentiousness. In fact, the album arguably contains some of the freshest rhymes one might have heard around the time of its release. There are more than enough obscure but fun references (i.e. \"quick to whip up a script like Rod Serling\" on \"Go with the Flow\" or \"MCs, ya style needs Velamints\" on \"Dead Bent\") and quotable jewels from the \"on-the-mike Rain Man\" to feed on. Nevertheless, one would be hard-pressed to overlook the low-budget mixing that mars some of the LP's presentation. For the hardcore Doom fans, the recorded-in-the-basement quality is appealing and representative of his persona as the underdog who \"came to destroy rap.\" In contrast, given his contributions to hip-hop during the 2000s, the masked villain offers this explanation on \"Doomsday\": \"Definition: supervillain\/A killer who loves children\/One who is well-skilled in destruction as well as buildin'.\" Even though this album is certainly not for everyone, you can easily respect from where the man is coming.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe Time We Faced Doom (Skit)\u003cbr data-mce-fragment=\"1\"\u003eDoomsday\u003cbr data-mce-fragment=\"1\"\u003eRhymes Like Dimes\u003cbr data-mce-fragment=\"1\"\u003e     feat. DJ Cucumber Slice\u003cbr data-mce-fragment=\"1\"\u003eThe Finest\u003cbr data-mce-fragment=\"1\"\u003e     feat. Tommy Gunn\u003cbr data-mce-fragment=\"1\"\u003eBack in the Days (Skit)\u003cbr data-mce-fragment=\"1\"\u003eGo With the Flow\u003cbr data-mce-fragment=\"1\"\u003eTick, Tick...\u003cbr data-mce-fragment=\"1\"\u003e     feat. MF Grimm\u003cbr data-mce-fragment=\"1\"\u003eRed \u0026amp; Gold\u003cbr data-mce-fragment=\"1\"\u003e     feat. King Ghidra\u003cbr data-mce-fragment=\"1\"\u003eThe Hands of Doom (Skit)\u003cbr data-mce-fragment=\"1\"\u003eWho You Think I Am?\u003cbr data-mce-fragment=\"1\"\u003e     feat. King Ceasar, Kamakiras, Kong, Megalon, Rodan\u003cbr data-mce-fragment=\"1\"\u003eDoom, Are You Awake? (Skit)\u003cbr data-mce-fragment=\"1\"\u003eHey!\u003cbr data-mce-fragment=\"1\"\u003eOperation: Greenbacks\u003cbr data-mce-fragment=\"1\"\u003e     feat. King Ghidra \u0026amp; Megalon\u003cbr data-mce-fragment=\"1\"\u003eThe Mic\u003cbr data-mce-fragment=\"1\"\u003eThe Mystery of Doom (Skit)\u003cbr data-mce-fragment=\"1\"\u003eDead Bent\u003cbr data-mce-fragment=\"1\"\u003eGas Drawls\u003cbr data-mce-fragment=\"1\"\u003e?\u003cbr data-mce-fragment=\"1\"\u003e     feat. Kurious\u003c\/p\u003e\n\u003cp\u003eHero vs. Villain (Epilogue)\u003cbr data-mce-fragment=\"1\"\u003e     feat. E. Mason\u003c\/p\u003e","brand":"Analog Record Shop","offers":[{"title":"Default Title","offer_id":43046470418632,"sku":"","price":15.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0348\/8505\/files\/MFDoom-OperationDoomsday_Cassette.png?v=1763496303"},{"product_id":"death-grips-government-plates-cassette","title":"Death Grips - Government Plates : CASSETTE","description":"You Might Think He Loves You For Your Money But I Know What He Really Loves You For It's Your Brand New Leopard Skin Pillbox Hat 2:41\u003cbr data-mce-fragment=\"1\"\u003eAnne Bonny 3:27\u003cbr data-mce-fragment=\"1\"\u003eTwo Heavens 3:02\u003cbr data-mce-fragment=\"1\"\u003eThis Is Violence Now (Don't Get Me Wrong) 2:37\u003cbr data-mce-fragment=\"1\"\u003eBirds 4:37\u003cbr data-mce-fragment=\"1\"\u003eFeels Like A Wheel 2:21\u003cbr data-mce-fragment=\"1\"\u003eI'm Overflow 3:09\u003cbr data-mce-fragment=\"1\"\u003eBig House 2:18\u003cbr data-mce-fragment=\"1\"\u003eGovernment Plates 2:42\u003cbr data-mce-fragment=\"1\"\u003eBootleg (Don't Need Your Help) 2:06\u003cbr data-mce-fragment=\"1\"\u003eWhatever I Want (Fuck Who's Watching) 6:37","brand":"Analog Record Shop","offers":[{"title":"Default Title","offer_id":43046471106760,"sku":"","price":15.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0348\/8505\/files\/c0031257__26487.1697873759.jpg?v=1763498850"},{"product_id":"taylor-swift-the-eras-tour-extended-version-3x-cassette","title":"Taylor Swift - The Eras Tour : Extended Version 3x CASSETTE","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003e3 cassette sets spanning the entire 3+ hour film\u003c\/em\u003e\u003c\/p\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e \u003cstrong data-mce-fragment=\"1\"\u003e\u003c\/strong\u003e \u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003e100 made and housed in special 3-cassette Norelco cases with the correct sequencing of songs (not the compromised version that was released with the 3 bonus songs at the end )\u003c\/em\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e \u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan class=\"m_Sect1M\" data-mce-fragment=\"1\"\u003e\"unofficial\" fanclub release\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cp data-mce-fragment=\"1\"\u003e \u003c\/p\u003e","brand":"Analog Record Shop","offers":[{"title":"Default Title","offer_id":43190865461448,"sku":"","price":34.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0348\/8505\/files\/m87696443056_1.jpg?v=1763498439"},{"product_id":"laufey-bewitched-cassette","title":"Laufey - Bewitched : CASSETTE","description":"\u0026lt;p\u0026gt;After breaking onto the charts of her native Iceland with the updated yet still anachronistic vocal-era stylings of her 2022 full-length debut, Everything I Know About Love, Laufey (Laufey Lín Jónsdóttir) doubles down on her WWII-age-evoking approach to elegant, only slightly left-of-center adult pop with the more ambitious Bewitched. It became Laufey's first album to chart internationally, including an appearance in the Top 25 of the Billboard 200. Highlighted by a graceful collaboration with London's Philharmonia Orchestra (“California and Me”) and the bubbly bossa tune \"From the Start,” Bewitched offers up 13 tender, decade-defying originals in all, alongside a seductive, loyal version of the Erroll Garner standard \"Misty.\"\u0026lt;\/p\u0026gt;\u003cbr\u003e\u0026lt;p\u0026gt;Dreamer 3:30\u0026lt;br\u0026gt;Second Best 3:24\u0026lt;br\u0026gt;Haunted 3:20\u0026lt;br\u0026gt;Must Be Love 3:04\u0026lt;br\u0026gt;While You Were Sleeping 2:57\u0026lt;br\u0026gt;Lovesick 3:45\u0026lt;br\u0026gt;California And Me 3:36\u0026lt;br\u0026gt;Nocturne (Interlude) 2:24\u0026lt;br\u0026gt;Promise 3:54\u0026lt;br\u0026gt;From The Start 2:49\u0026lt;br\u0026gt;Misty 3:29\u0026lt;br\u0026gt;Serendipity 3:39\u0026lt;br\u0026gt;Letter To My 13 Year Old Self 4:22\u0026lt;br\u0026gt;Bewitched 4:06\u0026lt;\/p\u0026gt;","brand":"Analog Record Shop","offers":[{"title":"Default Title","offer_id":43287802282184,"sku":"","price":15.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0348\/8505\/files\/R-28334782-1695157117-4290_1024x_126bb35b-2b3f-46ea-a031-eff5a745bc54.jpg?v=1763501711"},{"product_id":"taylor-swift-red-cassette","title":"Taylor Swift - Red : CASSETTE","description":"\u003cp\u003e\u003cstrong\u003eCASSETTE\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eTaylor Swift designed her 2012 album Red as her breakthrough into the pop market -- a crossover she pulled off with ease, elevating her to the rarefied air of superstars who can be identified by a single name. Red may not be flawless -- it runs just a shade too long as it sprints along in its quest to be everything to everyone -- but there's an empowering fearlessness in how Swift shakes off her country bona fides. Leaving Nashville behind, she rushes to collaborate with Britney Spears hitmaker Max Martin and Snow Patrol's Gary Lightbody, along with mainstream rock mainstays Dan Wilson and Butch Walker. Appropriately for an album featuring so many producers, Red isn't sequenced like a proper album, it's a buffet, offering every kind of sound or identity a Swift fan could possibly want. Taylor deftly shifts styles, adapting well to the insistent pulse of Martin, easing into a shimmering melancholy reminiscent of Mazzy Star (\"Sad Beautiful Tragic\"), and coolly riding a chilly new wave pulse (\"The Lucky One\"). Combined with the unabashed arena rock fanfare of \"State of Grace,\" the dance-pop of \"We Are Never Ever Getting Back Together,\" and the dubstep feint \"I Knew You Were Trouble\" -- not to mention the cheerfully ludicrous club-filler \"22\" -- Red barely winks at country, and it's a better album for it. It is, as all pop albums should be, recognizable primarily as the work of Taylor Swift alone: her girlish persona is at its center, allowing her to try on the latest fashions while always sounding like herself. Although she can still seem a little gangly in her lyrical details -- her relationship songs are too on the nose and she has an odd obsession about her perceived persecution by the cool kids -- these details hardly undermine the pristine pop confections surrounding them. If anything, these ungainly, awkward phrasings humanizes this mammoth pop monolith: she's constructed something so precise that its success seems preordained, but underneath it all, Taylor is still twitchy, which makes Red not just catchy but compelling.\u003c\/p\u003e\n\u003cp\u003eState Of Grace 4:55\u003cbr\u003eRed 3:43\u003cbr\u003eTreacherous 4:02\u003cbr\u003eI Knew You Were Trouble. 3:39\u003cbr\u003eAll Too Well 5:29\u003cbr\u003e22 3:52\u003cbr\u003eI Almost Do 4:04\u003cbr\u003eWe Are Never Ever Getting Back Together 3:13\u003cbr\u003eStay Stay Stay 3:25\u003cbr\u003eThe Last Time 4:59\u003cbr\u003eHoly Ground 3:22\u003cbr\u003eSad Beautiful Tragic 4:44\u003cbr\u003eThe Lucky One 4:00\u003cbr\u003eEverything Has Changed 4:05\u003cbr\u003eStarlight 3:40\u003cbr\u003eBegin Again 3:57\u003c\/p\u003e","brand":"Analog Record Shop","offers":[{"title":"Default Title","offer_id":43455317868744,"sku":"","price":15.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0348\/8505\/files\/TaylorSwift-Red_Cassette_1445x_4a01fa27-e68a-47a8-b20b-3bc825bc76f9.png?v=1763498050"},{"product_id":"lana-del-rey-ultraviolence-cassette","title":"Lana Del Rey - Ultraviolence : CASSETTE","description":"\u003cp\u003e\u003cstrong\u003eIMPORT CASSETTE\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe maelstrom of hype surrounding self-modeled Hollywood pop star Lana Del Rey's 2012 breakthrough album, Born to Die, found critics, listeners, and pop culture aficionados divided about her detached, hyper-stylized approach to every aspect of her music and public persona. What managed to get overlooked by many was that Born to Die made such a polarizing impression because it actually offered something that didn't sound like anything else. Del Rey's sultry, overstated orchestral pop recast her as some sort of vaguely imagined chanteuse for a generation raised on Adderall and the Internet, with heavy doses of Twin Peaks atmosphere adding a creepy sheen to intentionally vapid (and undeniably catchy) radio hits. Follow-up album Ultraviolence shifts gears considerably, building a thick, slow-moving atmosphere with its languid songs and opulent arrangements. Gone are the big beats and glossy production that resulted in tracks like \"Summertime Sadness.\" Instead, Ultraviolence begins with the protracted, rolling melancholia of \"Cruel World,\" nearly seven minutes of what feels like a sad, reverb-drenched daydream. The song sets the stage for the rest of the album, which simmers with a haunted, yearning feeling but never boils over. Even the most pop-friendly moments here are steeped in patient, jazz-inflected moodiness, as with the sad-eyed longing of \"Shades of Cool\" or the unexpected tempo changes that connect the slinky verses of single \"West Coast\" to their syrupy, swaying choruses. Production from the Black Keys' Dan Auerbach might have something to do with the metered restraint that permeates the album, with songs like \"Sad Girl\" carrying some of the slow-burning touches of greasy blues-rock Auerbach is known for. A few puzzling moments break up the continuity of the album. The somewhat hooky elements of \"Brooklyn Baby\" can't quite rise above its disjointed song structure and cringeable lyrics that could be taken either as mockery of the hipster lifestyle or self-parody. \"Money Power Glory\" steps briefly out of the overall dreamscape of the album, sounding like a tossed-off outtake from the Born to Die sessions. Despite these mild missteps, Ultraviolence thrives for the most part in its density, meant clearly to be absorbed as an entire experience, with even its weaker pieces contributing to a mood that's consumptive, sexy, and as eerie as big-budget pop music gets. Del Rey's loudest detractors criticized her music as a hollow, cliché-ridden product designed by the music industry and lacking the type of substance that makes real pop stars pop. Ultraviolence asserts that as a songwriter, she has complete control of her craft, deciding on songs far less flashy or immediate but still uniquely captivating. As these songs shift her sound into more mature and nuanced places, it becomes clear that every deadpan affectation, lispy lyric, and overblown allusion to desperate living has been a knowing move in the creation of the strange, beguiling character -- and sonic experience -- we know as Lana Del Rey.\u003c\/p\u003e\n\u003cp\u003eA1        Cruel World\u003cbr\u003eA2        Ultraviolence\u003cbr\u003eA3        Shades Of Cool\u003cbr\u003eA4        Brooklyn Baby\u003cbr\u003eA5        West Coast\u003cbr\u003eA6        Sad Girl\u003cbr\u003eB1        Pretty When You Cry\u003cbr\u003eB2        Money Power Glory\u003cbr\u003eB3        Fucked My Way Up To The Top\u003cbr\u003eB4        Up To The Top\u003cbr\u003eB5        Old Money\u003cbr\u003eB6        The Other Woman\u003cbr\u003eB7        Black Beauty\u003cbr\u003eB8        Guns And Roses\u003cbr\u003eB9        Florida Kilos\u003cbr\u003eB10        Is This Happiness\u003c\/p\u003e","brand":"Analog Record Shop","offers":[{"title":"Default Title","offer_id":43455326683336,"sku":"","price":15.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0348\/8505\/files\/LanaDelRey_Ultraviolence_1.png?v=1763497936"},{"product_id":"mitski-be-the-cowboy-cassette","title":"Mitski - Be The Cowboy : CASSETTE","description":"\u003cp\u003eCassette\u003c\/p\u003e\n\u003cp\u003eTwo years after her 2016 album Puberty 2, a release that led to tours with Lorde and Pixies and moved her out of the smaller clubs as a headliner, Mitski Miyawaki took the unusual step of trying to warn fans via social media and interviews about her next album. Saying that it wasn't going to be as personal, she implied that those who related to her and tracks like \"Your Best American Girl\" might be disappointed that she was setting aside the perspective of an outsider longing to fit in. Instead, the follow-up, Be the Cowboy, finds her adopting the persona of a married woman who fits in and lives up to expectations but longs to break free. Song titles like \"Me and My Husband\" and \"Washing Machine Heart\" hint at what's in store. What hasn't changed is Mitski's intense, impulsive style of songwriting and arranging that, while often catchy, can keep listeners off-balance. (The album was produced by Puberty 2's Patrick Lyland.) Case in point, some of the tracks here are polished with a sparkling synth palette, yet nothing feels slick and easy. Rather, the sheen is conspicuous, seeming to symbolize artifice on songs like the synth poppy \"Why Didn't You Stop Me\" and the disco-injected \"Nobody.\" As if to underscore the idea of unreliable appearances, the former offers the line \"I look for a picture of you to keep in my pocket, but I can't seem to find one where you look like I remember.\" Right from the overshot volume on the album's opening organ attack, abrasive sounds also put cracks in the surface. Stomping, clapping, and relentless keyboard bleeps permeate the brutal, danceable \"Washing Machine Heart,\" evoking the appliance as well as the wife's frustration (\"I'm not wearing my usual lipstick\/I thought maybe we would kiss tonight\"). Elsewhere, \"Me and My Husband\" opens unambiguously with a heavy sigh. After passing moments of more raucous rock, atmospheric synths, dance rhythms, irregular percussion, melodic sweetness, and dissonance, Be the Cowboy closes on the tender \"Two Slow Dancers,\" the album longest track at four minutes. Wistful, string-like keyboard tones accompany sentimental lyrics that conclude that the couple has grown apart. In the end, rather than being a disappointment, Be the Cowboy's point of view provides a brilliant twist, one that channels all the unease, unpredictability, and intuitiveness of Mitski's previous work -- even for those who don't take in the lyrics.\u003c\/p\u003e\n\u003cp\u003e1 Geyser 2:23\u003cbr\u003e2 Why Didn't You Stop Me? 2:21\u003cbr\u003e3 Old Friend 1:52\u003cbr\u003e4 A Pearl 2:36\u003cbr\u003e5 Lonesome Love 1:50\u003cbr\u003e6 Remember My Name 2:15\u003cbr\u003e7 Me and My Husband 2:17\u003cbr\u003e8 Come Into the Water 1:32\u003cbr\u003e9 Nobody 3:13\u003cbr\u003e10 Pink in the Night 2:16\u003cbr\u003e11 A Horse Named Cold Air 2:03\u003cbr\u003e12 Washing Machine Heart 2:08\u003cbr\u003e13 Blue Light 1:43\u003cbr\u003e14 Two Slow Dancers 3:59\u003c\/p\u003e","brand":"Analog Record Shop","offers":[{"title":"Default Title","offer_id":43493806932168,"sku":"","price":12.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0348\/8505\/files\/Mitski-Be-The-Cowboy-Music-Performance-Cassette_136636ef-c477-4829-8bc4-4b8931e47830.10669f4f8464a4a9f50bc56acb0ee34a.jpg?v=1763498535"},{"product_id":"beach-house-bloom-cassette","title":"Beach House - Bloom : CASSETTE","description":"\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003ccite\u003eBloom\u003c\/cite\u003e\u003cspan\u003e is the fourth full-length album by Baltimore-based Beach House. Like their previous releases (\u003c\/span\u003e\u003ca href=\"http:\/\/www.subpop.com\/releases\/beach_house\/full_lengths\/beach_house\"\u003e\u003ccite\u003eBeach House\u003c\/cite\u003e\u003c\/a\u003e\u003cspan\u003e in 2006, \u003c\/span\u003e\u003ca href=\"http:\/\/www.subpop.com\/releases\/beach_house\/full_lengths\/devotion\"\u003e\u003ccite\u003eDevotion\u003c\/cite\u003e\u003c\/a\u003e\u003cspan\u003e in 2008, \u003c\/span\u003e\u003ca href=\"http:\/\/www.subpop.com\/releases\/beach_house\/full_lengths\/teen_dream\"\u003e\u003ccite\u003eTeen Dream\u003c\/cite\u003e\u003c\/a\u003e\u003cspan\u003e in 2010), it further develops their distinctive sound yet stands apart as a new piece of work. \u003c\/span\u003e\u003ccite\u003eBloom\u003c\/cite\u003e\u003cspan\u003eis meant to be experienced as an \u003c\/span\u003e\u003cspan class=\"caps\"\u003eALBUM\u003c\/span\u003e\u003cspan\u003e, a singular, unified vision of the world. Though not stripped down, the many layers of \u003c\/span\u003e\u003ccite\u003eBloom\u003c\/cite\u003e\u003cspan\u003e are uncomplicated and meticulously constructed to ensure there is no waste. \u003c\/span\u003e\u003ccite\u003eBloom\u003c\/cite\u003e\u003cspan\u003e was recorded in 2011 at Sonic Ranch Studios in Tornillo, TX and mixed at Electric Lady in \u003c\/span\u003e\u003cspan class=\"caps\"\u003eNYC\u003c\/span\u003e\u003cspan\u003e. The band co-produced the record with Chris Coady. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch2\u003eTrack Listings\u003c\/h2\u003e\n\u003cdiv id=\"music-tracks\" class=\"a-section a-spacing-small\"\u003e\n\u003ch4\u003eSide: 1\u003c\/h4\u003e\n\u003cdiv class=\"a-row\"\u003e\n\u003cdiv class=\"a-column a-span3\"\u003e\n\u003ctable class=\"a-bordered a-spacing-none\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003e1\u003c\/td\u003e\n\u003ctd\u003eMyth\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e2\u003c\/td\u003e\n\u003ctd\u003eWild\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e3\u003c\/td\u003e\n\u003ctd\u003eLazuli\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e4\u003c\/td\u003e\n\u003ctd\u003eOther People\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e5\u003c\/td\u003e\n\u003ctd\u003eThe Hours\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003ch4\u003eSide: 2\u003c\/h4\u003e\n\u003cdiv class=\"a-row\"\u003e\n\u003cdiv class=\"a-column a-span3\"\u003e\n\u003ctable class=\"a-bordered a-spacing-none\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003e1\u003c\/td\u003e\n\u003ctd\u003eTroublemaker\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e2\u003c\/td\u003e\n\u003ctd\u003eNew Year\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e3\u003c\/td\u003e\n\u003ctd\u003eWishes\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e4\u003c\/td\u003e\n\u003ctd\u003eOn the Sea\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e5\u003c\/td\u003e\n\u003ctd\u003eIrene\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Analog Record Shop","offers":[{"title":"Default Title","offer_id":43657300869320,"sku":"","price":15.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0348\/8505\/files\/BeachHouse_Bloom_Cassette_01_1024x1024_2x_0b1114b3-7a09-4960-bad6-0721ea803f4e.jpg?v=1715208314"},{"product_id":"phoebe-bridgers-punisher-cassette","title":"Phoebe Bridgers - Punisher : CASSETTE","description":"\u003cp\u003e\u003cspan\u003eLimited edition cassette in Fluorescent Green. Phoebe Bridgers doesn't write love songs as much as songs about the impact love can have on our lives, personalities, and priorities. Punisher, her fourth release and second solo album, is concerned with that subject. To say she writes about heartbreak is to undersell her blue wisdom, to say she writes about pain erases all the strange joy her music emanates. The arrival of Punisher cements Phoebe Bridgers as one of the most clever, tender and prolific songwriters of our era.Bridgers is the rare artist with enough humor to deconstruct her own meteoric rise. Repeatedly praised by publications like The New Yorker, The New York Times, GQ, Pitchfork, The Fader, The Los Angeles Times and countless others, Bridgers herself is more interested in discussing topics on Twitter, deadpanning meditations on the humiliating process of being a person, she presents a sweetly funny flipside to the strikingly sad songs she writes. Fittingly, Punisher is fascinated with, and driven by, that kind of impossible tension. Whether it's writing tweets or songs, Bridgers's singular talent lies in bringing fierce curiosity to slimy and painful things, interrogating them until they yield up answers that are beautiful and absurd, or faithfully reporting the reality that, sometimes, they are neither.Bridgers pulls together a formidable crew of guests, including the Julien Baker, Lucy Dacus, Christian Lee Hutson and Conor Oberst as well as Nathaniel Walcott (of Bright Eyes), Nick Zinner (of the Yeah Yeah Yeahs), Jenny Lee Lindberg (of Warpaint), Blake Mills and Jim Keltner as well as her longtime bandmates Marshall Vore (drums), Harrison Whitford (guitar), Emily Retsas (bass) and Nick White (keys). The album was mixed by Mike Mogis, who also mixed Stranger In The Alps.On the album's epic, freewheeling closer, \"I Know The End,\" Bridgers orchestrates wails and horns, drums and electric guitar into a sumptuous doomsday swirl, culminating in her own final whispered roar. This is Punisher in a nutshell: devastating elegance punctuated by a moment of deeply campy self-awareness.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eOn Flourescent Green Vinyl Cassette\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eDVD Menu 1:09\u003cbr data-mce-fragment=\"1\"\u003eGarden Song 3:39\u003cbr data-mce-fragment=\"1\"\u003eKyoto 3:04\u003cbr data-mce-fragment=\"1\"\u003ePunisher 3:09\u003cbr data-mce-fragment=\"1\"\u003eHalloween 4:31\u003cbr data-mce-fragment=\"1\"\u003eChinese Satellite 3:37\u003cbr data-mce-fragment=\"1\"\u003eMoon Song 4:37\u003cbr data-mce-fragment=\"1\"\u003eSavior Complex 4:01\u003cbr data-mce-fragment=\"1\"\u003eICU 3:10\u003cbr data-mce-fragment=\"1\"\u003eGraceland Too 3:56\u003cbr data-mce-fragment=\"1\"\u003eI Know The End 5:44\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Analog Record Shop","offers":[{"title":"Default Title","offer_id":43657309946056,"sku":"","price":15.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0348\/8505\/files\/phoebebridges-punisher-cassette-1_1800x1800_e50a8bcb-19ab-4bff-88c6-c61842e20d41.jpg?v=1715209372"},{"product_id":"clairo-sling-cassette","title":"Clairo - Sling : CASSETTE","description":"\u003cp\u003eClairo has revealed her new single, \"Blouse,\" as well as the news of her forthcoming sophomore studio album, Sling, which will see its global release on July 16th via FADER Label\/Republic Records. Written and recorded in upstate New York at Allaire Studios, Sling was co-produced by Clairo and Golden Globe\/GRAMMYr Award-winning producer Jack Antonoff and was announced following Clairo's live performance of \"Blouse\" on NBC's The Tonight Show Starring Jimmy Fallon. Green Tint Sonic Shell Cassette.\u003cstrong\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e1. Bambi\u003cbr\u003e2. Amoeba\u003cbr\u003e3. Partridge\u003cbr\u003e4. Zinnias\u003cbr\u003e5. Blouse\u003cbr\u003e6. Wade\u003cbr\u003e7. Harbor\u003cbr\u003e8. Just For Today\u003cbr\u003e9. Joanie\u003cbr\u003e10. Reaper\u003cbr\u003e11. Little Changes\u003cbr\u003e12. Management\u003c\/p\u003e","brand":"Analog Record Shop","offers":[{"title":"Default Title","offer_id":43657380167880,"sku":"","price":17.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0348\/8505\/files\/cairo-sling.png?v=1715213420"},{"product_id":"de-la-soul-3-feet-high-rising-cassette","title":"De La Soul - 3 Feet High \u0026 Rising : CASSETTE","description":"\u003cp\u003eThe most inventive, assured, and playful debut in hip-hop history, 3 Feet High and Rising not only proved that rappers didn't have to talk about the streets to succeed, but also expanded the palette of sampling material with a kaleidoscope of sounds and references culled from pop, soul, disco, and even country music. Weaving clever wordplay and deft rhymes across two dozen tracks loosely organized around a game-show theme, De La Soul broke down boundaries all over the LP, moving easily from the groovy my-philosophy intro \"The Magic Number\" to an intelligent, caring inner-city vignette named \"Ghetto Thang\" to the freewheeling end-of-innocence tale \"Jenifa Taught Me (Derwin's Revenge).\" Rappers Posdnuos and Trugoy the Dove talked about anything they wanted (up to and including body odor), playing fast and loose on the mic like Biz Markie. Thinly disguised under a layer of humor, their lyrical themes ranged from true love (\"Eye Know\") to the destructive power of drugs (\"Say No Go\") to Daisy Age philosophy (\"Tread Water\") to sex (\"Buddy\"). Prince Paul (from Stetsasonic) and DJ Pasemaster Mase led the way on the production end, with dozens of samples from all sorts of left-field artists -- including Johnny Cash, the Mad Lads, Steely Dan, Public Enemy, Hall \u0026amp; Oates, and the Turtles. The pair didn't just use those samples as hooks or drumbreaks -- like most hip-hop producers had in the past -- but as split-second fills and in-jokes that made some tracks sound more like DJ records. Even \"Potholes on My Lawn,\" which samples a mouth harp and yodeling (for the chorus, no less), became a big R\u0026amp;B hit. If it was easy to believe the revolution was here from listening to the rapping and production on Public Enemy's It Takes a Nation of Millions to Hold Us Back, with De La Soul the Daisy Age seemed to promise a new era of positivity in hip-hop.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOn Orange Vinyl Cassette\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eA1 Intro 1:41\u003cbr data-mce-fragment=\"1\"\u003eA2 The Magic Number3:14\u003cbr data-mce-fragment=\"1\"\u003eA3 Change in Speak 2:32\u003cbr data-mce-fragment=\"1\"\u003eA4 Cool Breeze on the Rocks 0:37\u003cbr data-mce-fragment=\"1\"\u003eA5 Can U Keep a Secret 1:40\u003cbr data-mce-fragment=\"1\"\u003eA6 Jenifa Taught Me (Derwin's Revenge) 3:23\u003cbr data-mce-fragment=\"1\"\u003eA7 Ghetto Thang 3:35\u003cbr data-mce-fragment=\"1\"\u003eA8 Transmitting Live From Mars 1:11\u003cbr data-mce-fragment=\"1\"\u003eA9 Eye Know 4:12\u003cbr data-mce-fragment=\"1\"\u003eA10 Take It Off 1:52\u003cbr data-mce-fragment=\"1\"\u003eA11 A Little Bit of Soap 0:49\u003cbr data-mce-fragment=\"1\"\u003eA12 Tread Water 3:44\u003cbr data-mce-fragment=\"1\"\u003eA13 Potholes in My Lawn 3:47\u003cbr data-mce-fragment=\"1\"\u003eB1 Say No Go 4:19\u003cbr data-mce-fragment=\"1\"\u003eB2 Do as De La Does 2:06\u003cbr data-mce-fragment=\"1\"\u003eB3 Plug Tunin' (Last Chance to Comprehend) 4:06\u003cbr data-mce-fragment=\"1\"\u003eB4 De La Orgee 1:12\u003cbr data-mce-fragment=\"1\"\u003eB5 Buddy 4:54\u003cbr data-mce-fragment=\"1\"\u003e     with Q-Tip \u0026amp; Jungle Brothers\u003cbr data-mce-fragment=\"1\"\u003eB6 Description 1:30\u003cbr data-mce-fragment=\"1\"\u003eB7 Me Myself and I 3:40\u003cbr data-mce-fragment=\"1\"\u003eB8 This Is a Recording 4 Living in a Full Time Era (L.I.F.E.) 3:09\u003cbr data-mce-fragment=\"1\"\u003eB9 I Can Do Anything (Delacratic) 0:40\u003cbr data-mce-fragment=\"1\"\u003eB10 D.A.I.S.Y. Age 3:55\u003c\/p\u003e","brand":"Analog Record Shop","offers":[{"title":"Default Title","offer_id":43657406480584,"sku":"","price":24.49,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0348\/8505\/files\/delasoul-3feethigh-1_1800x1800_e10e3cbb-a6ff-4da8-9441-cbb7ee0ab053.jpg?v=1715215331"},{"product_id":"billie-eilish-happier-than-ever-cassette","title":"Billie Eilish - Happier Than Ever : CASSETTE","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eBillie Eilish's highly anticipated sophomore album, Happier Than Ever, via Darkroom\/Interscope Records. Continuing the tradition from her multi-GRAMMY Award winning, record-breaking debut, WHEN WE ALL FALL ALSEEP, WHERE DO WE GO?, this 16-track studio album features no outside writers or producers and was written by Billie and her brother FINNEAS who produced it in LA. Includes hits singles, \"Therefore I Am,\" and \"my future.\" \u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv id=\"musicTracks_feature_div\" class=\"celwidget\" data-feature-name=\"musicTracks\" data-csa-c-type=\"widget\" data-csa-c-content-id=\"musicTracks\" data-csa-c-slot-id=\"musicTracks_feature_div\" data-csa-c-asin=\"\" data-csa-c-is-in-initial-active-row=\"false\" data-csa-c-id=\"h22yl-rrdmv9-qhhyfo-yjuqi5\" data-cel-widget=\"musicTracks_feature_div\"\u003e\n\u003ch2\u003eTrack Listings\u003c\/h2\u003e\n\u003cdiv id=\"music-tracks\" class=\"a-section a-spacing-small\"\u003e\n\u003cdiv class=\"a-row\"\u003e\n\u003cdiv class=\"a-column a-span3\"\u003e\n\u003ctable class=\"a-bordered a-spacing-none\" height=\"404\" style=\"width: 100%;\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 8.63181%;\"\u003e1\u003c\/td\u003e\n\u003ctd style=\"width: 88.2493%;\"\u003eGetting Older\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 8.63181%;\"\u003e2\u003c\/td\u003e\n\u003ctd style=\"width: 88.2493%;\"\u003eI Didn't Change My Number\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 8.63181%;\"\u003e3\u003c\/td\u003e\n\u003ctd style=\"width: 88.2493%;\"\u003eBillie Bossa Nova\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 8.63181%;\"\u003e4\u003c\/td\u003e\n\u003ctd style=\"width: 88.2493%;\"\u003eMy Future\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 8.63181%;\"\u003e5\u003c\/td\u003e\n\u003ctd style=\"width: 88.2493%;\"\u003eOxytocin\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 8.63181%;\"\u003e6\u003c\/td\u003e\n\u003ctd style=\"width: 88.2493%;\"\u003eGoldwing\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 8.63181%;\"\u003e7\u003c\/td\u003e\n\u003ctd style=\"width: 88.2493%;\"\u003eLost Cause\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 8.63181%;\"\u003e8\u003c\/td\u003e\n\u003ctd style=\"width: 88.2493%;\"\u003eHalley's Comet\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 8.63181%;\"\u003e9\u003c\/td\u003e\n\u003ctd style=\"width: 88.2493%;\"\u003eNot My Responsibility\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 8.63181%;\"\u003e10\u003c\/td\u003e\n\u003ctd style=\"width: 88.2493%;\"\u003eOverheated\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 8.63181%;\"\u003e11\u003c\/td\u003e\n\u003ctd style=\"width: 88.2493%;\"\u003eEverybody Dies\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 8.63181%;\"\u003e12\u003c\/td\u003e\n\u003ctd style=\"width: 88.2493%;\"\u003eYour Power\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 8.63181%;\"\u003e13\u003c\/td\u003e\n\u003ctd style=\"width: 88.2493%;\"\u003eNda\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 8.63181%;\"\u003e14\u003c\/td\u003e\n\u003ctd style=\"width: 88.2493%;\"\u003eTherefore I Am\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 8.63181%;\"\u003e15\u003c\/td\u003e\n\u003ctd style=\"width: 88.2493%;\"\u003eHappier Than Ever\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 8.63181%;\"\u003e16\u003c\/td\u003e\n\u003ctd style=\"width: 88.2493%;\"\u003eMale Fantasy\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Analog Record Shop","offers":[{"title":"Default Title","offer_id":43657411199176,"sku":"","price":16.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0348\/8505\/files\/51wjtyiUEVL._SL1000.jpg?v=1715215635"},{"product_id":"kendrick-lamar-damn-cassette","title":"Kendrick Lamar - DAMN. : CASSETTE","description":"\u003cp\u003e\u003cstrong\u003eCASSETTE\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eTo Pimp a Butterfly's proper and oft-biblical follow-up arrived on Good Friday, 13 months after untitled unmastered., an intermediary release that eclipsed the best work of most contemporary artists. If Kendrick Lamar felt pressure to continue living up to his previous output, there's no evidence on DAMN. He's too occupied tracing the spectrum of his mental states, from \"boxin' demons\" to \"flex on swole,\" questioning and reveling in his affluence, castigating and celebrating his bloodline, humble enough to relate his vulnerabilities, assured enough to proclaim \"Ain't none of y'all fuckin' with the flow.\" Throughout, he intensely examines most of the seven deadly sins, aware all along that his existence is threatened by anyone who objects to the color of his skin or clothes -- or, in the case of the blind stranger who shoots him during the album's opener, nothing that is apparent. Compared to the maximum-capacity, genre-twisting vastness and winding narratives of Good Kid, M.A.A.D. City and To Pimp a Butterfly, DAMN. on the surface seems like a comparatively simple rap album that demands less from the listener. There's relative concision in the track titles and material, and a greater emphasis on commercial sounds -- such as Mike WiLL's lean and piano-laced trap beat for the strong-arming \"HUMBLE.,\" Lamar's first Top Ten pop hit, and a couple productions that are merely functional backdrops lacking distinction. In a way, however, DAMN. is just as lavish and singular as the preceding albums, its quantity and weight of thoughts and connected concepts condensed into a considerably tighter space. It contains some of Lamar's best writing and performances, revealing his evolving complexity and versatility as a soul-baring lyricist and dynamic rapper. Although it's occasionally distorted, stretched, smeared, and reversed to compelling and imagination-fueling effect, his voice is at its most affecting in its many untreated forms. Take \"FEAR.,\" in which he switches between echoing hot-blooded parental threats to enumerating, with a 40-acre stare, various death scenarios. 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It's an individual statement, however, one distinct from even the contemporary likes of Kehlani's SweetSexySavage. Placed beside only Z, its three-year-old prelude, Ctrl is the work of a considerably less-inhibited songwriter. Rowe likewise truly fronts these frank songs that wield power as they lament lonesomeness, insecurity, and inertia. She neither projects slight wisps nor obscures herself inside swirling synthesizers, yet she oversells not a single thought. On screen, a slight shrug from her would probably devastate an expectant admirer. In the slow-motion hip-hop soul of \"Doves in the Wind,\" featuring a hectoring verse from fellow TDE artist Kendrick Lamar, Rowe schools inapt and inept male behavior, offering intimate counsel and acerbic derision in a uniquely offhanded style. As assured as she is in this mode, she's not too proud to test a partner (\"Call me on my bullshit, lie to me and say my booty gettin' bigger even if it ain't\"), express personal dissatisfaction (\"All alone still, not a thing in my name\"), or plainly grieve (\"Do you even know I'm alive?\"). The production crew here is almost completely different from the one involved on Z, with TDE regular Tyran Donaldson (aka Antydote and Scum) the lone holdover, present on seven tracks. For every overdone trap trick, there's a couple of sly wrinkles, like the thick, chiming groove in \"Go Gina,\" where Rowe brilliantly illustrates a specific kind of fatigue (\"Picking up a penny with a press-on is easier than holding you down\") and the woozy, decayed synthesizer line in the Travis Scott-assisted single \"Love Galore,\" ideal for a song about rekindling a dead-end affair. 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Tyler, The Creator, Gorillaz, Bootsy Collins, and Miguel got the word and sought her out. So did Juanes and Daniel Caesar, whose respective connections with Uchis, \"El Ratico\" and \"Get You,\" netted Grammy nominations. As Uchis kept operating, she resembled more and more the wholly empowered musical progeny of Kid Creole \u0026amp;amp; the Coconuts, stylistically dynamic across the spectrums of R\u0026amp;amp;B and Latin pop, skillfully mixing flamboyance and sincerity, generous all the while with lingering hooks. Likewise, she displayed a knack for realistic relationship narratives told with wit and finesse. All of these attributes color Isolation, her first LP and debut for major label Virgin EMI. More defined and energized than her previous mixtape and EP, the album enables her to fully exhibit her way with words and melodies, whether she's engaging in tropical gangsterism, avowing self-reliance, aching for a romantic getaway, cutting off a hanger-on, or bemoaning domestic minor sex trafficking. Reciprocal guest appearances are made throughout. Tyler and Bootsy add sympathetic humor to the drifting BadBadNotGood groove \"After the Storm,\" while Gorillaz' Damon Albarn lays out some festive Suicide synth pop for \"In My Dreams.\" Elsewhere, numerous West Coast associates -- Sounwave, Larrance Dopson, DJ Dahi, Om'Mas Keith, and Thundercat among them -- add to the set's prevailing dazed, dreamlike feel. Uchis is never obscured by the productions, coolly expressive while casually threading clever imagery from song to song. Her writing is most vivid in one of the delightfully bent retro-soul numbers, \"Feel Like a Fool\": \"My heart went through a shredder the day I learned about your baby mothers\/'Cause you're a grown-ass man, now you should know better\/But I still run all my errands in your sweater.\" For all its entertaining art-pop feats, Isolation is just as remarkable for serious moments like \"Killer,\" in which Uchis reaches a high degree of anguish that only real-life experience can arouse.\u003c\/p\u003e\n\u003cp\u003eBody Language (Intro) 2:16\u003cbr\u003eMiami 4:04\u003cbr\u003eJust A Stranger 2:58\u003cbr\u003eFlight 22 3:37\u003cbr\u003eYour Teeth In My Neck 3:06\u003cbr\u003eTyrant 3:24\u003cbr\u003eDead To Me 3:20\u003cbr\u003eNuestro Planeta 3:23\u003cbr\u003eIn My Dreams 3:21\u003cbr\u003eGotta Get Up (Interlude) 1:53\u003cbr\u003eTomorrow 3:10\u003cbr\u003eComing Home (Interlude) 2:40\u003cbr\u003eAfter The Storm 3:27\u003cbr\u003eFeel Like A Fool 3:05\u003cbr\u003eKiller 2:52\u003c\/p\u003e","brand":"Analog Record Shop","offers":[{"title":"Default Title","offer_id":43678608982216,"sku":"","price":15.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0348\/8505\/files\/c0032791__53291.1718264930.jpg?v=1763498163"},{"product_id":"sabrina-carpenter-short-and-sweet-cassette","title":"Sabrina Carpenter - Short and Sweet : CASSETTE","description":"\u003cp\u003e\u003cstrong\u003eavailable in 2 cover variants\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e1        Taste    2:37\u003cbr\u003e2        Please Please Please    3:06\u003cbr\u003e3        Good Graces    3:05\u003cbr\u003e4        Sharpest Tool    3:38\u003cbr\u003e5        Coincidence    2:44\u003cbr\u003e6        Bed Chem    2:51\u003cbr\u003e7        Espresso    2:55\u003cbr\u003e8        Dumb \u0026amp; Poetic    2:13\u003cbr\u003e9        Slim Pickins    2:32\u003cbr\u003e10        Juno    3:43\u003cbr\u003e11        Lie To Girls    3:22\u003cbr\u003e12        Don't Smile    3:26\u003c\/p\u003e\n\u003c!----\u003e","brand":"Analog Record Shop","offers":[{"title":"Standard Cover","offer_id":44022546038984,"sku":"","price":22.99,"currency_code":"USD","in_stock":false},{"title":"Alternate Cover","offer_id":44022546071752,"sku":"","price":22.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0348\/8505\/files\/SabrinaCarpenter_Cassette.webp?v=1772235884"},{"product_id":"chappell-roan-the-rise-and-fall-of-a-midwest-princess-cassette","title":"Chappell Roan - The Rise and Fall of a MIdwest Princess : CASSETTE","description":"\u003cp\u003eChappell Roan's first studio full-length, The Rise and Fall of a Midwest Princess, is an absolute breath of fresh air in a crowded pop landscape. Playful, a little naughty, and full of heart, this debut brims with spirited pop gems that stick in the brain long after the album is finished. Blending the youthful Gen Z delivery of Olivia Rodrigo, the best-friend-approachability of Taylor Swift, and the songcraft of Maggie Rogers, Roan is the main draw here, taking whatever producer Dan Nigro (Kylie, Rodrigo, Caroline Polachek) throws at her and making it irresistible. Opener \"Femininomenon\" perfectly captures the album's ethos as it transforms from a sweet, string-laden ballad into a pulse-pounding empowerment anthem punctuated by a mid-song pep talk and hilariously escalating adlibs demanding a \"fucking beat.\" From there, it's a nonstop flood of catchy, synth-backed anthems that could lay waste to mainstream radio if given the chance. The playfully horny \"Red Wine Supernova\" rides a bubbly beat, Roan's pure voice and the girl gang background vocals boost the energy, and the funky strut of the confident, boyfriend-stealing \"After Midnight\" turns the lights down low as Roan purrs that \"everything good happens after midnight.\" Taking Taylor's Midnights hit one step further, Roan takes aim at an ex on the sardonic, synth-laden \"My Kink Is Karma,\" where she finds pleasure in the little things like watching them \"ruin [their] life... losing [their] mind... [and] crashing [their] car.\" There's a handful of delicate ballads (\"Coffee,\" \"Casual,\" \"Picture You,\" \"Kaleidoscope\") peppered amongst the pogo-bounce singalongs (\"HOT TO GO!\" and early hit \"Pink Pony Club\") that offer a few moments of rest while the party continues. On an album packed with highlights, standouts include the '80s-synth throwback \"Super Graphic Ultra Modern Girl\" -- a cowbell-laden, late-night party saga that explodes with one of the most rousing choruses on Midwest Princess -- and the closer, \"Guilty Pleasure,\" which mirrors the opening track's quiet-to-loud approach, morphing from warm dream pop into pulsing electro-pop. Bold and fearless, Chappell Roan's The Rise and Fall of a Midwest Princess is the best kind of pop album: it captures a generational zeitgeist and introduces the world to a refreshing new voice that can hopefully stand the test of time and a fickle industry.\u003c\/p\u003e\n\u003cp\u003eFemininomenon    3:39\u003cbr\u003eRed Wine Supernova    3:12\u003cbr\u003eAfter Midnight    3:24\u003cbr\u003eCoffee    3:25\u003cbr\u003eCasual    3:52\u003cbr\u003eSuper Graphic Ultra Modern Girl    3:03\u003cbr\u003eHot To Go!    3:04\u003cbr\u003eMy Kink Is Karma    3:42\u003cbr\u003ePicture You    3:07\u003cbr\u003eKaleidoscope    3:42\u003cbr\u003ePink Pony Club    4:18\u003cbr\u003eNaked In Manhattan    3:31\u003cbr\u003eCalifornia    3:18\u003cbr\u003eGuilty Pleasure    3:44\u003c\/p\u003e","brand":"Analog Record Shop","offers":[{"title":"Default Title","offer_id":44071043662024,"sku":"","price":15.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0348\/8505\/files\/CS-NW-1599_1.jpg?v=1763501591"},{"product_id":"o-s-t-the-royal-tenenbaums-cassette","title":"O.S.T. - The Royal Tenenbaums : CASSETTE","description":"\u003cp\u003e\u003cstrong\u003eCASSETTE\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eWhere the soundtrack to Rushmore captured that film's mix of brash and bittersweet through British Invasion obscurities and Mark Mothersbaugh's playfully poignant score, the music for The Royal Tenenbaums -- Wes Anderson's tale of a prodigal patriarch and the brood of child geniuses he left behind -- evokes the film's shabbily genteel New York through vintage folk-pop, classic punk, and a Mothersbaugh score that gives the delicacy of his earlier scores a newfound maturity. Two of the most affecting songs from Nico's Chelsea Girl, \"These Days\" and \"The Fairest of the Seasons,\" bookend the soundtrack as beautifully concise meditations on, respectively, regret (\"Please don't confront me with my failures\/I had not forgotten them\") and hope (\"Do I stay or do I go?\/And maybe try another time?\"). In between, the music ranges from Elliott Smith's quietly devastating \"Needle in the Hay\" to the manic energy of the Ramones' \"Judy is a Punk\" and the Clash's \"Police and Thieves\" to the hazy glow of Bob Dylan's \"Wigwam,\" each track adding to the album's strangely timeless but emotionally direct atmosphere. Mothersbaugh's score and the compiled music complement each other perfectly, with the velvety, Baroque feel of Nick Drake's \"Fly\" and the Velvet Underground's \"Stephanie Says\" mirrored in \"Mothersbaugh's Canon\" and the Vince Guaraldi Trio's sparkly \"Christmas Time Is Here\" echoed by \"I Always Wanted to Be a Tenenbaum\" and \"Sparkplug Minuet.\" Ravel's \"String Quartet in F Major (Second Movement)\" and Mothersbaugh's \"111 Arthur Avenue\" and \"Lindbergh Palace Hotel Suite\" complete this elegant yet slightly skewed soundtrack. Nearly as clever and nuanced as the film itself, The Royal Tenenbaums is also a moving, well-rounded album in its own right.\u003c\/p\u003e\n\u003cp\u003eMark Mothersbaugh–    111 Arthur Avenue    0:38\u003cbr\u003eNico –    These Days    3:33\u003cbr\u003eYsaye Quartet–    String Quartet In F Major (Second Movement)    6:20\u003cbr\u003eMark Mothersbaugh–    Lindbergh Palace Hotel Suite    7:18\u003cbr\u003eBob Dylan–    Wigwam    3:09\u003cbr\u003eMark Mothersbaugh–    Look At That Old Grizzly Bear    0:24\u003cbr\u003eEmitt Rhodes–    Lullabye    1:08\u003cbr\u003eMark Mothersbaugh–    Mothersbaugh's Canon    4:32\u003cbr\u003eThe Clash–    Police \u0026amp; Thieves    6:00\u003cbr\u003eMark Mothersbaugh–    Scrapping \u0026amp; Yelling    1:41\u003cbr\u003eRamones–    Judy Is A Punk    1:32\u003cbr\u003eMark Mothersbaugh–    Pagoda's Theme    0:21\u003cbr\u003eElliott Smith–    Needle In The Hay    4:19\u003cbr\u003eNick Drake–    Fly    2:58\u003cbr\u003eMark Mothersbaugh–    I Always Wanted To Be A Tenenbaum    0:48\u003cbr\u003eVince Guaraldi Trio–    Christmas Time Is Here    2:45\u003cbr\u003eThe Velvet Underground–    Stephanie Says    2:51\u003cbr\u003eMark Mothersbaugh–    Rachel Evans Tenenbaum (1965-2000)    1:18\u003cbr\u003eMark Mothersbaugh–    Sparkplug Minuet    3:21\u003cbr\u003eNico –    The Fairest Of The Seasons    4:06\u003c\/p\u003e","brand":"Analog Record Shop","offers":[{"title":"Default Title","offer_id":44132991238344,"sku":"","price":15.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0348\/8505\/files\/182948848.jpg?v=1763500643"},{"product_id":"chappell-roan-the-midwest-princess-demos-cassette","title":"Chappell Roan - The Midwest Princess Demos : CASSETTE","description":"\u003cp\u003e\u003cstrong\u003eCassette\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e1: Hot to Go! 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Femininomenon 02. Naked In Manhattan 03. Super Graphic Ultra Modern Girl 04. Love Me Anyway 05. Picture You 06. Hot To Go! 07. After Midnight 08. Casual 09. The Subway 10. Red Wine Supernova 11. Good Luck, Babe! 12. My Kink Is Karma 13. Pink Pony Club\u003c\/p\u003e","brand":"Analog Record Shop","offers":[{"title":"Default Title","offer_id":44291875340488,"sku":"","price":15.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0348\/8505\/files\/ChappellRoan_LiveAtLollapalooza_Cassette.png?v=1763500595"},{"product_id":"mf-doom-born-like-this-cassette","title":"MF DOOM - Born Like This : CASSETTE","description":"\u003cp\u003eAfter MF Doom spent a few years off record (and maybe off stage, if the impostor rumors are true), fans were ready for another classic from the man who never met a bar he couldn't tack four extra syllables onto. And as if expectations couldn't be ratcheted any higher, the album included a few productions from Dilla and Madlib alongside Doom himself, plus features for a quartet of legendary compatriots (Ghostface, Raekwon, Bumpy Knuckles aka Freddie Foxxx, and Slug from Atmosphere). Still, it's hard to stifle the disappointment. Doom hasn't changed a whit, but by the same token, he sounds like he's repeating himself. Deft diction is one thing he's got in spades, but there aren't many lines here that will get burned into your neurons. The productions are dense and dark as usual, but Doom's unrelenting lyrical flow has reached some kind of endpoint where he can't torture his internal rhymes any more without just repeating \"how now brown cow\" for three minutes on end. Even more unfortunately, the best production by Doom is the homophobic \"Batty Boyz,\" and Ghostface, on his lone feature, does little more than obsess over Charlie's Angels. 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