{"title":"Soundtracks","description":"","products":[{"product_id":"o-s-t-drive-pic-disc","title":"O.S.T. - Drive","description":"\u003cp\u003e\u003cstrong\u003e\u003cmeta charset=\"utf-8\"\u003eTHE TIMELESS SOUNDTRACK IS NOW AVAILABLE  FOR THE 15TH ANNIVERSARY.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e2xLP \"DRIVER'S JACKET\" CLEAR AND GOLD SPLATTER VINYL\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe timeless soundtrack for Drive is now available on 'Driver's Jacket Gold Splatter\/Clear Vinyl' for the 15th Anniversary.\u003c\/p\u003e\n\u003cp\u003eThe soundtrack features original music by Cliff Martinez (The Lincoln Lawyer, Traffic) with Eurosynth-styled songs by Kavinsky \u0026amp; Lovefoxxx (“Nightcall”), The Chromatics (“Tick of the Clock”), Desire (“Under Your Spell”), College featuring Electric Youth (“A Real Hero”), and Riziero Ortolani featuring Katyna Ranieri (“Oh My Love”). Rolling Stone Magazine named Drive the No. 1 movie of 2011.\u003c\/p\u003e\n\u003cp\u003eThe Drive soundtrack raced to the top of the iTunes album charts, hitting No. 4 within a week of its digital release and peaking at No. 35 on the Billboard Top 200. The soundtrack re-entered the charts in February 2012 when the film was released on DVD.\u003c\/p\u003e\n\u003cp\u003e“One thing that was unique for me about this project was having songs exert such a strong influence on the score,” said Martinez. “That helped to create a unified, one-size-fits-all, style of soundtrack…the 80s electronic pop style made a lot of sense to me. I knew that Nicolas [Refn, director] was in love with that sound and I saw a way to acknowledge it with vintage synth sounds and cover most of the dramatic food groups while referencing that style.”\u003c\/p\u003e\n\u003cp\u003eThis blending of score and song is the perfect vehicle for Cliff Martinez. Martinez moved to California in 1976, just in time for the punk movement. He had stints as drummer for the Weirdos, Lydia Lunch and Foetus frontman Jim Thirlwell, the Red Hot Chili Peppers and the Dickies. He was also the drummer in the final incarnation of legendary iconoclasts Captain Beefheart and the Magic Band.\u003c\/p\u003e\n\u003cp\u003eMartinez has since received compositional credit on many of Steven Soderbergh’s projects including Kafka, The Limey, Solaris, Gray’s Anatomy, Schizopolis, Traffic (which earned four Oscars and earned Martinez a Grammy nomination), and the upcoming film Contagion. He also composed the music for Espion(s) and A L’Origine, two French films released in 2009 - the latter earned a Cesar Award nomination for best original score. His other credits include Pump Up The Volume, Wicker Park, Wonderland, and The Lincoln Lawyer.\u003c\/p\u003e","brand":"Analog Record Shop","offers":[{"title":"Default Title","offer_id":490422713,"sku":null,"price":42.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0348\/8505\/products\/81DaG7fWQHL._SL1200.jpeg?v=1390469997"},{"product_id":"beatles-the-yellow-submarine","title":"Beatles, The - Yellow Submarine","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003eBLACK VINYL\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe only Beatles album that could really be classified as inessential, mostly because it wasn't really a proper album at all, but a soundtrack that only utilized four new Beatles songs. (The rest of the album was filled out with \"Yellow Submarine,\" \"All You Need Is Love,\" and a George Martin score.) What's more, two of the four new tracks were little more than pleasant throwaways that had been recorded during 1967 and early 1968. These aren't all that bad; \"All Together Now\" is a cute, kiddie-ish McCartney singalong, while \"Hey Bulldog\" has some mild Lennon nastiness and a great beat and central piano riff, with some fine playing all around -- each is memorable in its way, and the inclusion of the Lennon song here was all the more important, as the sequence from the movie in which it was used was deleted from the original U.S. release of the movie (which had no success whatever in the U.K. and quickly disappeared, thus making the U.S. version the established cut of the film for decades. George Harrison's two contributions were the more striking of the new entries -- \"Only a Northern Song\" was a leftover from the Sgt. Pepper's sessions, generated from a period in which the guitarist became increasingly fascinated with keyboards, especially the organ and the Mellotron (and, later, the synthesizer). It's an odd piece of psychedelic ersatz, mixing trippiness and some personal comments. Its lyrics (and title) on the one hand express the guitarist\/singer\/composer's displeasure at being tied in his publishing to Northern Songs, a company in which John Lennon and Paul McCartney were the majority shareholders; and, on the other, they present Harrison's vision of how music and recording sounded, from the inside-out and the outside-in, during the psychedelic era -- the song thus provided a rare glimpse inside the doors of perception of being a Beatle (or, at least, one aspect of being this particular Beatle) circa 1967. And then there was the jewel of the new songs, \"It's All Too Much.\" Coming from the second half of 1967, the song -- resplendent in swirling Mellotron, larger-than-life percussion, and tidal waves of feedback guitar -- was a virtuoso excursion into otherwise hazy psychedelia, and was actually superior in some respects to \"Blue Jay Way,\" Harrison's songwriting contribution to The Magical Mystery Tour; the song also later rated a dazzling cover by Steve Hillage in the middle of the following decade. The very fact that George Harrison was afforded two song slots and a relatively uncompetitive canvas for his music shows how little the project meant to Lennon and McCartney -- as did the cutting of the \"Hey Bulldog\" sequence from the movie, apparently with no resistance from Lennon, who had other, more important artistic fish to fry in 1968. What is here, however, is a good enough reason for owning the record, though nothing rates it as anything near a high-priority purchase. The album would have been far better value if it had been released as a four-song EP (an idea the Beatles even considered at one point, with the addition of a bonus track in \"Across the Universe\" but ultimately discarded).\u003c\/p\u003e\n\u003cp\u003eA1        Yellow Submarine    2:37\u003cbr\u003eA2        Only A Northern Song 3:23\u003cbr\u003eA3        All Together Now    2:08\u003cbr\u003eA4        Hey Bulldog    3:09\u003cbr\u003eA5        It's All Too Much6:27\u003cbr\u003eA6        All You Need Is Love    3:48\u003cbr\u003eB1        Pepperland    2:18\u003cbr\u003e\u003cstrong\u003eMedley\u003c\/strong\u003e    \u003cbr\u003eB2        Sea Of Time \u0026amp; Sea Of Holes    5:16\u003cbr\u003eB3        Sea Of Monsters    3:35\u003cbr\u003eB4        March Of The Meanies    2:16\u003cbr\u003eB5        Pepperland Laid Waste    2:09\u003cbr\u003eB6        Yellow Submarine In Pepperland2:10\u003c\/p\u003e","brand":"Analog Record Shop","offers":[{"title":"Default Title","offer_id":18350052929,"sku":"","price":34.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0348\/8505\/files\/91DtFZeRniL._UF1000_1000_QL80.jpg?v=1792633100"},{"product_id":"o-s-t-la-la-land","title":"O.S.T. - La La Land","description":"\u003cp\u003e\u003cstrong\u003eBLACK VINYL\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eA musical romance about a jazz pianist (Ryan Gosling) and an aspiring actress (Emma Stone) set in the City of Angels, La La Land was written and directed by Damien Chazelle, the man behind the 2014 Oscar winner Whiplash. He enlisted his former Harvard roommate Justin Hurwitz to write the songs and score for the film. The pair also worked together on Whiplash, about drummers, and on a 2009 student project that went on to receive theatrical distribution, Guy and Madeline on a Park Bench, about a jazz trumpeter. Hurwitz is joined here by lyricists Benj Pasek and Justin Paul, two veterans of musical theater (the off-Broadway musical Dogfight, TV's Smash, Broadway's Dear Evan Hansen) at the relatively young age of 31 by the time of release. (The latter is also true of Chazelle and Hurwitz.) La La Land's original soundtrack includes both songs and instrumentals, with the songs performed by a cast that also includes John Legend, fresh off his Oscar win for Selma's \"Glory,\" and Callie Hernandez, a musician-turned-actress. Hernandez performs alongside Stone, Jessica Rothe, and Sonoya Mizuno on \"Someone in the Crowd,\" a soaring, uptempo number with swing-era rhythms. Preceding it, the film opens with a big production number set in L.A. traffic that Hurwitz said was inspired by Jacques Demy-Michel Legrand film musicals of the '60s (\"Another Day of Sun\"). While listeners and moviegoers alike will find that Gosling and Stone don't quite have the singing chops of an Astaire and Rogers, their voices are warm and approachable, and their duet \"A Lovely Night,\" in particular, is a bright charmer. Later, Legend delivers the goods on \"Start a Fire,\" a song written in the context of a jazz musician trying to cross over to the contemporary mainstream. Score tracks range from the tender-slash-anxious piano piece \"Mia \u0026amp; Sebastian's Theme,\" to the legit jazz exercise \"Herman's Habit,\" to the Romantic tone poem \"Planetarium.\" The film and the soundtrack wrap up with a second reprise of Gosling's \"City of Stars,\" this time hummed by Stone, which will likely provide a feel-good earworm after the music ends.\u003c\/p\u003e\n\u003cp\u003eA1    Cast – Another Day Of Sun\u003cbr\u003eA2    Emma Stone, Callie Hernandez, Sonoya Mizuno, Jessica Roth – Someone In The Crowd\u003cbr\u003eA3    Justin Hurwitz – Mia \u0026amp; Sebastian's Theme\u003cbr\u003eA4    Ryan Gosling, Emma Stone – A Lovely Night\u003cbr\u003eA5    Justin Hurwitz – Herman's Habit\u003cbr\u003eA6    Ryan Gosling – City Of Stars\u003cbr\u003eA7    Justin Hurwitz – Planetarium\u003cbr\u003eB1    Justin Hurwitz – Summer Montage \/ Madeline\u003cbr\u003eB2    Ryan Gosling, Emma Stone – City Of Stars\u003cbr\u003eB3    John Legend – Start A Fire\u003cbr\u003eB4    Justin Hurwitz – Engagement Party\u003cbr\u003eB5    Emma Stone – Audition (The Fools Who Dream)\u003cbr\u003eB6    Justin Hurwitz – Epilogue \/ The End\u003cbr\u003eB7    Justin Hurwitz Feat. Emma Stone – City Of Stars (Humming)\u003c\/p\u003e","brand":"Analog Record Shop","offers":[{"title":"Default Title","offer_id":31288205069,"sku":"","price":34.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0348\/8505\/products\/81WuiklEQtL._SL1500.jpg?v=1486155658"},{"product_id":"randy-newman-avalon-ost-rsd2020","title":"O.S.T. - Avalon - Randy Newman (RSD2020)","description":"\u003cp\u003e\u003cstrong\u003eBLUE VINYL - RSD EXCLUSIVE - Ltd EDITION of 3000\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eA1        1914\u003cbr\u003eA2        Weekend Musicians\u003cbr\u003eA3        Avalon\/Moving Day\u003cbr\u003eA4        Circus\u003cbr\u003eA5        Wedding\u003cbr\u003eB1        The Family\u003cbr\u003eB2        The Fire\u003cbr\u003eB3        No More Television\u003cbr\u003eB4        Funeral\u003cbr\u003eB5        End Titles\u003c\/p\u003e","brand":"Analog Record Shop","offers":[{"title":"Default Title","offer_id":37154273132744,"sku":"","price":14.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0348\/8505\/products\/418462495705-800.jpg?v=1603486868"},{"product_id":"del-casher-italian-stallion-ost","title":"O.S.T. - Italian Stallion - Del Casher (RSD2021)","description":"\u003cp\u003e\u003cstrong\u003eBLACK VINYL - RSD EXCLUSIVE - Ltd EDITION of 1000\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eA1        Italian Stallion Theme    2:57\u003cbr\u003eA2        Three Girls In A Whirl    4:10\u003cbr\u003eA3        Flexing    2:33\u003cbr\u003eA4        Outside Walk    1:12\u003cbr\u003eA5        Shower Her With Love    4:08\u003cbr\u003eA6        Waiting    1:15\u003cbr\u003eB1        Magic Mirror    2:24\u003cbr\u003eB2        Leaving For The Party    1:36\u003cbr\u003eB3        Dance Alone    2:32\u003cbr\u003eB4        Living The Highlife    3:25\u003cbr\u003eB5        Circle Dance    2:29\u003cbr\u003eB6        Cocktails For Two    2:19\u003c\/p\u003e","brand":"Analog Record Shop","offers":[{"title":"Default Title","offer_id":40554597351624,"sku":"","price":16.19,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0348\/8505\/files\/71kQxRLtodL._UF1000_1000_QL80.jpg?v=1793394022"},{"product_id":"roger-bellon-waxwork-ost-rsdbf22","title":"O.S.T. - Waxwork - Roger Bellon  (RSDBF22)","description":"\u003cp\u003e\u003cstrong\u003eCOLORED VINYL - RSD FIRST - Ltd EDITION of 4000\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eOne of the all-time-best cult classic horror flicks which shockingly has never had a release before - until now. Gatefold jacket with colored vinyl.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eA1        Waxwork (Main Title)\u003cbr\u003eA2        Table For Six\u003cbr\u003eA3        Dinner's On Charles\u003cbr\u003eA4        Balls In The Slammer\u003cbr\u003eA5        Ditching School\u003cbr\u003eA6        Pop Wax Theme\u003cbr\u003eA7        How About A Nightcap\u003cbr\u003eA8        History\u003cbr\u003eA9        Sarah And The Marquis\u003cbr\u003eA10        Come And See\u003cbr\u003eA11        Tight\u003cbr\u003eA12        Tony And Friend\u003cbr\u003eA13        Meet Dracula\u003cbr\u003eA14        The Wolfman\u003cbr\u003eB15        Move Over Mummy\u003cbr\u003eB16        Wilfred Tells It All\u003cbr\u003eB17        Red Herring\u003cbr\u003eB18        No Squeeze Tonight\u003cbr\u003eB19        Gimme A Hand\u003cbr\u003eB20        Whore That You Are\u003cbr\u003eB21        Duel Del Marquis\u003cbr\u003eB22        Like A Closer Look\u003cbr\u003eB23        Sucked In\u003cbr\u003eB24        Whip Me, Daddy\u003cbr\u003eB25        Waxwork (End Title)\u003c\/span\u003e\u003c\/p\u003e","brand":"Analog Record Shop","offers":[{"title":"Default Title","offer_id":42449661296840,"sku":"","price":23.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0348\/8505\/files\/61I2g98_WwL._UF1000_1000_QL80.jpg?v=1793222588"},{"product_id":"david-byrne-complete-score-from-the-catherine-wheel-rsd2023","title":"O.S.T. - The Catherine Wheel - David Byrne (RSD2023)","description":"\u003cp\u003e\u003cstrong\u003e2xLP BLACK VINYL - RSD EXCLUSIVE - Ltd EDITION of 6500\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eAn absolutely monumental masterpiece of late 20th century music is the seamless funk opera score David Byrne created for choreographer Twyla Tharp’s The Catherine Wheel in 1981. This 2LP set marks the vinyl debut of the full score (previous releases contained only a 1LP condensed version). The tracks \"Big Blue Plymouth\", \"My Big Hands\", \"Big Business\" and \"What a Day That Was\" were all performed live by Talking Heads in 1982 and 1983.\u003cbr\u003e\u003cbr\u003eA1        Light Bath\u003cbr\u003eA2        His Wife Refused\u003cbr\u003eA3        Adé\u003cbr\u003eA4        Walking\u003cbr\u003eA5        Two Soldiers\u003cbr\u003eA6        Under The Mountain\u003cbr\u003eA7        Dinosaur\u003cbr\u003eA8        The Red House\u003cbr\u003eB1        Wheezing\u003cbr\u003eB2        Eggs In A Briar Patch\u003cbr\u003eB3        Poison\u003cbr\u003eB4        Cloud Chamber\u003cbr\u003eB5        Black Flag\u003cbr\u003eC1        My Big Hands (Fall Through The Cracks)\u003cbr\u003eC2        Combat\u003cbr\u003eC3        Leg Bells\u003cbr\u003eC4        The Blue Flame\u003cbr\u003eC5        Big Business\u003cbr\u003eD1        Dense Beasts\u003cbr\u003eD2        Five Golden Sections\u003cbr\u003eD3        What A Day That Was\u003cbr\u003eD4        Big Blue Plymouth (Eyes Wide Open)\u003cbr\u003e\u003c\/p\u003e","brand":"Analog Record Shop","offers":[{"title":"Default Title","offer_id":42646873047240,"sku":"","price":31.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0348\/8505\/products\/418467231861_800.webp?v=1681188752"},{"product_id":"various-spinning-gold-soundtrack-rsd2023","title":"Various Artists - Spinning Gold Soundtrack (RSD2023)","description":"\u003cp\u003e\u003cstrong\u003eGOLD VINYL - RSD EXCLUSIVE - Ltd EDITION of 3500\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eS\u003c\/span\u003e\u003cspan\u003epinning Gold The Official Soundtrack features vibrant new performances of pop classics from Buddah, Casablanca, and Motown Records that celebrate the storied career of record man Neil Bogart. Performed by today’s stars including Jason DeRulo, Wiz Khallifa, Ledisi, Jeremy Jordan, and introducing Tayla Parx, and more covering timeless classics from Donna Summer’s “Bad Girls” to Kiss’ “Beth.” The collection also includes two original tracks exclusive to the film, “Cherry on Top” and “Greatest Time.”\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eA1    Sam Harris, Casey Likes–Shout It Out Loud\u003cbr\u003eA2    Tayla Parx–Love To Love You Baby\u003cbr\u003eA3    Jeremy Jordan-Cherry On Top\u003cbr\u003eA4    Jason Derulo–t’s Your Thing\u003cbr\u003eA5    Alec Benjamin–One Toke Over The Line\u003cbr\u003eA6    Pink Sweat$–Ain’t No Sunshine\u003cbr\u003eA7    Ledisi-Midnight Train To Georgia\u003cbr\u003eB1    Casey Likes, Sam Harris–Rock And Roll All Nite\u003cbr\u003eB2    Wiz Khalifa–Give Up The Funk (Tear The Roof Off The Sucker)\u003cbr\u003eB3    Alex Gaskarth–Beth\u003cbr\u003eB4    Tayla Parx–Bad Girls\u003cbr\u003eB5    Tayla Parx, Jeremy Jordan–Last Dance\u003cbr\u003eB6    Jeremy Jordan, Cast– Greatest Time\u003c\/span\u003e\u003c\/p\u003e","brand":"Analog Record Shop","offers":[{"title":"Default Title","offer_id":42649687163080,"sku":"","price":24.79,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0348\/8505\/products\/418467231866_800.webp?v=1681365342"},{"product_id":"winnie-the-pooh-blood-honey-ost-rsdbf23","title":"O.S.T. - Winnie The Pooh: Blood \u0026 Honey (RSDBF23)","description":"\u003cp\u003e\u003cstrong\u003eRED AND YELLOW SPLIT VINYL - RSD EXCLUSIVE - Ltd EDITION of 2200\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eFirst pressing of the score from the 2023 British slasher film that generated viral buzz for its murderous take on some of our childhoods' most beloved characters. Pooh and Piglet have become feral and bloodthirsty murderers who terrorize Christopher Robin and his friends when he returns to the Hundred Acre Wood many years after leaving for college. 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Tapping into her theatrical side, this companion piece to the Joker: Folie à Deux film (and not the other, actual official soundtrack) blurs the line between the persona (Harleen \"Lee\" Quinzel, aka Harley Quinn) and the person (Gaga). Take this as the debut album from the character of Harley Quinn, as played by Lady Gaga. Putting on that mask, she's free to step outside of the mainline Gaga album trajectory and get playful. In the role of Lee, an in-character Gaga is allowed to say the quiet parts of her own experiences out loud (more so than she allows herself on her proper albums), and it's wonderfully liberating to hear her express these feelings with a wink and a smile. There are bright and brash show tunes (\"That's Entertainment\") and American Songbook standards (\"Good Morning,\" \"Get Happy\"), often spun into sweaty New Orleans jazz send-ups, and it's done with more accessible ease than her Tony Bennett collaborations. On the other end of the spectrum, the quieter, lush arrangements are the real draw. Charlie Chaplin's \"Smile\" is given space to breathe, a piano-backed standout that's so engrossing it transports listeners to a smoky Parisian lounge, while \"World on a String\" (her spin on Harold Arlen and Ted Koehler's \"I've Got the World on a String\") hypnotizes with soulful guitar wizardry and a light gospel touch. Grand showpiece \"The Joker\" could have been on Joanne, as an edgy, feral blast with a booming vocal performance as intense as the showstopper on \"Shallow.\" Similarly, \"Happy Mistake\" (one of two Gaga originals) is another powerful showcase of her ever-evolving vocals, which nearly eclipse the dour acoustic guitar and swirling atmospheric production. 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Nevertheless, that decision still impresses, not only because the album is so strong, but because it was written and recorded at a time when the Beatles were constantly touring, giving regular BBC concerts, appearing on television and releasing non-LP singles and EPs, as well as filming their first motion picture. In that context, the achievement of A Hard Day's Night is all the more astounding. Not only was the record the de facto soundtrack for their movie, not only was it filled with nothing but Lennon-McCartney originals, but it found the Beatles truly coming into their own as a band by performing a uniformly excellent set of songs. All of the disparate influences on their first two albums had coalesced into a bright, joyous, original sound filled with ringing guitars and irresistible melodies. They had certainly found their musical voice before, but A Hard Day's Night is where it became mythical. In just a few years, they made more adventurous and accomplished albums, but this is the sound of Beatlemania in all of its giddy glory -- for better and for worse, this is the definitive Beatles album, the one every group throughout the ages has used as a blueprint. Listening to the album, it's easy to see why. Decades after its original release, A Hard Day's Night's punchy blend of propulsive rhythms, jangly guitars, and infectious, singalong melodies is remarkably fresh. There's something intrinsically exciting in the sound of the album itself, something to keep the record vital years after it was recorded. Even more impressive are the songs themselves. Not only are the melodies forceful and memorable, but Lennon and McCartney have found a number of variations to their basic Merseybeat style, from the brash \"Can't Buy Me Love\" and \"Any Time at All,\" through the gentle \"If I Fell,\" to the tough folk-rock of \"I'll Cry Instead.\" It's possible to hear both songwriters develop their own distinctive voices on the album, but overall, A Hard Day's Night stands as a testament to their collaborative powers -- never again did they write together so well or so easily, choosing to pursue their own routes. John and Paul must have known how strong the material is -- they threw the pleasant trifle \"I'm Happy Just to Dance with You\" to George and didn't give anything to Ringo to sing. That may have been a little selfish, but it hardly hurts the album, since everything on the record is performed with genuine glee and excitement. 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